From what I’ve seen, the new Fuji Classic Negative film simulation is generous on the blue and green level, while remaining somewhat warm and keeping a low contrast.
It was only just over a week ago that Fujifilm announced the version 4 firmware for the X-T2. Much anticipated by X-T2 owners it adds internal F-Log 4K video as well as 120fps 1080p shooting. Now, though, due to “malfunctions”, Fujifilm has put out a new firmware, v4.01. But instead of fixing the issues, it essentially rolls the camera back to version 3.
When Fuji announced the then-new X-T2 back in July 2016, it got Fuji shooters very excited, especially the ones interested in video. Fuji now has a 4K video-capable camera in their lineup. They’ve since gone on to add 4K to the X-Pro2 and released the new X-H1, but they haven’t given up on the X-T2 just yet.
Only a month after release, would-be X-T2 owners were complaining that they could only shoot 4K F-Log if they were using an external recorder and not internally. Fujifilm said at the time that they would consider internal F-Log recording. And now they’ve delivered with a new firmware update that adds internal 4K F-Log recording to SD, as well as 120fps 1080p slow motion.
Let’s face it, everything looks good on a 3″ screen. So, the advantages of shooting tethered become immediately apparent in the studio. You’re able to quickly see the results as you shoot them on a much larger screen. This makes it much easier to spot distracting elements, issues with hair or makeup, and if the composition even works when shown big.
It’s an ability that many photographers find absolutely invaluable and difficult to work without. It’s also an ability that’s been lacking with the Fuji X-T2, until now. Fuji have released a new v1.10 firmware for the X-T2 which, amongst other things, now gives the photographers the ability to shoot tethered to Lightroom. Users can also shoot tethered to Fuji’s own HS-V5 software.
Recently I had the opportunity to test the new Fuji X-T2.
At start, it was only possible to do some tests with natural light and mainly in the street. Although it is not the kind of environment I use to photograph, this first test had as main objective to serve only as the first contact with the equipment, so that in a second test, which I intend to do soon in concert, im already slightly familiar with the menus and buttons Of the X-T2.
This text is not meant to be a technical text, I am no expert in engineering and certainly the Fuji engineers must have their reasons for deciding to build the X-T2 as it is, in this text I will only share what I found of the X-T2 and what I felt when I photographed with it.
My intention with this test, and with the test in concert photography, is to verify if the X-T2 is a valid option to replace my Canon equipment, at least for concert photography. I like Canon and I am very used to the brand, but as Canon Portugal has decided to close the official service of the brand in Porto, thus abandoning its customers, I can not and do not want to be subject to mailing my equipment to repair In Lisbon by a repair company that I do not know …
It should be noted that Fuji has the official technical service for Portugal and Spain based in Oporto.
Ok, it might be a little unfair to put a $2,400 camera and lens against a $8,100 camera and lens. One would expect a camera rig costing more than three times as much to produce better results. But are those results at least three times better? And if the Fuji can keep up, doesn’t that just make it even more impressive given the cost gap?
This video from photographer Taylor Jackson hopes to answer those questions. Yes, there’s a little pixel peeping involved, but Taylor has also made the raw files available for us to check out for ourselves. If nothing else, for those considering purchasing a Nikon D5 or Fuji X-T2, this lets us see some samples straight from the camera.