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Photographer shoots this misty English wood that looks like an enchanted forest

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January 14, 2019 by Dunja Djudjic 1 Comment

Passion for photography often takes Neil Burnell to remote areas with stunning sceneries. For his ongoing project Mystical, he photographed an incredible Wistman’s Wood in England. The name of this wood reportedly means “eerie” or “haunted,” and looking at the images, I sure understand why. Neil’s photos look like illustrations of fairy-tales, and it’s easy to imagine fairies dancing around tangled, gnarled, moss-covered trees.

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How we made a landscape photo with fog machine and won an award for it

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December 22, 2018 by Tim Shields 2 Comments

I needed a landscape photo of a foggy forest on sunny day, where beams of sunlight were streaming through the trees and creating beautiful sun rays.  The only problem was that it was summer and there was no fog to be had.

So I decided to rent a fog machine and see if we could make enough fog to simulate real fog.  For this task I enlisted the help of my friend Chris Collacott, and together we created a pretty cool image.  Here is how we did it.

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This amazing wilderness timelapse of Canada took 6 weeks to shoot and 9 months to edit

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January 24, 2018 by John Aldred 4 Comments

Every once in a while, a timelapse comes along that just takes your breath away. You could take almost any frame from such films and it stands up on its own as a still photography. Alive, by German filmmaker Florian “Flo” Nick, is one such timelapse film. It was shot over 5,500km travelled in six weeks exploring the vast landscapes of Alberta and British Columbia. And it’s is absolutely beautiful.

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8 Steps To Creating A Fantasy Lighting Effect

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February 8, 2016 by Robert Cornelius 5 Comments

One of my ABSOLUTE favorite things to do in Photoshop is to play with lighting effects. Whether that be to make something glow, create a spotlight sort of effect, or set my hands on fire, I’m always so impressed with the many ways Photoshop allows you to alter lighting. Because of the skills I’ve gathered for bending light to my will, I no longer look at an image I’ve taken and think, “Oh man, I wish I would have brought some flash equipment with me so there could be light spilling through the archway from behind her.” I now just think, “Wouldn’t it be simply fantastic to have some magical light coming from behind her? Yes, yes it would … I think I’ll add some.” Don’t get me wrong it’s always going to look better if there was actually some real light falling on your subject from the get-go, but that’s not going to stop me from adding a bit of illustrative oomf to my images whenever I see fit!

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Dunja Djudjic is a writer and photographer from Novi Sad, Serbia. You can see her work on Flickr, Behance and her Facebook page.

John Aldred is based in Scotland and photographs animals in the studio and people in the wild.

You can find out more about John on his website and follow his adventures on YouTube and Facebook.

JP Danko is a commercial photographer based in Toronto, Canada. JP
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.

To see more of his work please visit his studio website blurMEDIAphotography, or follow him on Twitter, 500px, Google Plus or YouTube.

JP’s photography is available for licensing at Stocksy United.

Clinton Lofthouse is a Photographer, Retoucher and Digital Artist based in the United Kingdom, who specialises in creative retouching and composites. Proud 80's baby, reader of graphic novels and movie geek!
Find my work on My website or follow me on Facebook or My page

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