There has been some drama around the recently announced Godox V1, which was accused of stealing the Profoto A1’s design. But can the more affordable Godox V1 compete with the $995 Profoto A1? In this video by Robert Hall, the two speedlights go head-to-head, so let’s see how they compare.
Using gels is often a problem when working with strobes. Getting them to fit around the bulb can be a pain, and trying to cover the front surface of a giant softbox is just impractical (and expensive!). Well, the folks at FlashGels have solved this issue for the Godox AD600Pro and AD400Pro with pre-cut gel kits that slip right over the bulb.
When flashes first started to use Guide Numbers, they were a fairly reliable judgement of how one flashes power stacks up against another. But as flash technology has evolved, the humble Guide Number is often exploited as a marketing gimmick to make flashes sound a lot more powerful than they actually are.
In this video, Gerald Undone breaks down the maths behind the Guide Number. He explains exactly how it’s calculated, why it isn’t always an accurate measurement of power, and how you can make sense of it all.
When we first heard that Bowens was going into liquidation, and then the official announcement that came a few days later, it was the end of an era. After 94 years in business, one of the oldest flash manufacturers out there was closing for good. Or were they? At the time, it seemed so. But now, it looks like no, they’re back.
Bowens was bought out by the AURELIUS investment company along with Calumet back in 2016. AURELIUS also owns WEX Photo Video, who has now pretty much entirely consumed Calumet in the UK. And the Bowens name now looks set to be the WEX “own brand” lighting system. Today they’ve announced that Bowens is back, and they’re kicking off the relaunch with the XMT500 strobe.
Usually, when we hear about reflection issues with photography, especially with flash, it’s on glasses. The type people wear on their faces. We’ve posted about that on here before. This time, we’re dealing with regular flat glass. Like that found in windows and doors. The same principles apply, although you do have a few more options.
In this video, photographer Rob Hall takes a look at the subject of reflections on glass surfaces when working with flash. He offers up a number of tips and solutions to help reduce or eliminate the problem entirely. Which will work best for you will depend on your situation. But armed with these techinques, you’ll have a much better chance of getting the shot you want.
Like most photographers who have been working for many years, I have my favorite, go-to lights. These include the Broncolor Para 88, 133, and 222; the Broncolor ‘pre-2006 style’ Flooters; the Elinchrom Zoom Spots; and Elinchrom Litemotiv Indirect.
I have adapted all of these modifiers within the last year to fit the Flashpoint 1200H remote heads, as well as the 600Pro (AKA Godox AD600 Pro) and 600H Pro, as I prefer these mobile, lightweight, HSS capable flashes for the flexibility they provide over any other current brands or models.
The whole “continuous vs strobes” choice is pretty easy if you shoot video. But for photographers, it can be a little more challenging. New lights of both types are coming out all the time, and a lot of photographers wonder which type of light they should go with. In this video, Jay P Morgan looks at the advantages and disadvantages of both types of lights to see what tasks they’re better suited to.
In response to user feedback over the Godox XPro trigger, Adorama has now announced the R2 Pro Mark II trigger for Canon. Don’t worry, Nikon. Sony, Fuji, Panasonic/Olympus and Pentax versions will be coming soon. It’s got a whole lot more buttons (they’re backlit, too!) and some very cool enhancements over the original.
Rahim Mustafa in his own words is a fun loving, go-giving British photographer, digital artist and youtuber.
DIYP: Tell us a little of how you got into photography, and who your influences are?
RM: I got into photography at the tender age of about 36! As a day job, I am a freelance TV editor and as part of my training, I learned how to film. So, I learned about exposure, framing a shot, lighting etc. Even though I didn’t realize, this gave me a foundation in photography.
About four years ago my father-in-law asked me to take some photos at a small coffee shop he owned. He wanted to get more people through the door, so suggested I do child portraits, as there were a lot of parents there on a regular basis. I said I’d give it some thought.
I’ve reviewed the Godox XPro trigger before, a little over a year ago. Normally, I wouldn’t review the same product again just because it comes out with compatibility for a different camera system. My original review was with the XPro-C, but I didn’t review the XPro-N, XPro-F, XPro-S or XPro-O. So why am I posting a review of the XPro-P for Pentax?
Well, to put it simply, it’s kind of a big deal – at least for Pentax shooters. Pentax has traditionally had very little 3rd party flash support. It’s had some from Cactus with the whole X-TTL thing, but the recent demise of the RQ250 has left Pentax shooters with very little confidence in Cactus’ future. Other options have been iffy at best. But now there’s a new kid in town. The Godox XPro-P.