This is a cool idea I wish I could have come up with myself. Photographer Francois Dourlen has a signature move where he shoots with his iPhone – well, not with his iPhone, but with his iPhone incorporated into the picture itself. Recently he picked up an interesting hobby where he saves stills from movies he likes onto his iPhone; what he does with them is unique, fun, and incredibly simple. As he goes on about his day, he takes those stills on his phone and shoots photos of them being implemented into real life scenery that – you might say – completes the picture.
Last Friday, I did my second entry in a weekly feature I started on the work of cinematographers. That entry covered Jeff Cronenweth, who is known for his work with David Fincher in films like The Social Network, Fight Club, and The Girl with the Dragon Tattoo. I wanted to write a follow-up to that today, because I think it’s called for in this case. Jeff Cronenweth is the son of the late Jordan Cronenweth, and he learned quite a bit from his father. This article will go over one film by him that ultimately, along with his son, became one of his life’s most impactful legacies: Blade Runner.
AJA is one of the most respected names in the video production business, and their presence at the NAB Show was bound to bring about high expectations. With the announcement of their newest video camera, it looks like they intend to deliver. At their keynote presentation, alongside a variety of mid and high-range products, AJA introduced the Cion.
A cinematographer is also known as a director of photography. They’re the guys that make the movies we watch look how they look. It’s their photographic eye that we see. And they don’t get too much recognition for the work they do, with most of the attention going towards the director and actor already. I wanted to write about a few good ones and see if it can become a weekly thing if you guys are into it. You probably know the work these guys have done, so I’ll cover what they did to get the shots that we see on the big screen.
If this is going to be the first out of more to come, I’ll start it off with a bang by focusing it on Roger Deakins.
I’ve written before about what shooting film means to me, and I almost always have a film camera in my bag alongside my digital arsenal. I find it relaxing. In many ways it becomes something of a ritual for me. Loading the film. Advancing the frames. Resetting the counter. Taking my time. Doing my best to make every frame count. Don’t even get me started on barricading myself in the darkroom for hours on end. I know that a lot of photographers talk about “making” photos rather than “taking” them, but nothing brings that sentiment home for me more than shooting film. Thankfully, there are legions of photographers out there who still enjoy shooting film– even if just occasionally– which means that there are still companies catering to our need for the film experience. One such company is Lomography, a website dedicated to cameras, films, lenses, and accessories. I recently had the chance to build and test their Konstruktor DIY Kit.
Thanks to Planet 5D for the heads up on this!
Disclaimer: if you have a weak wallet, then don’t read this.
Actually, in this case, all of our wallets are most likely crying in the corner, so it’s okay. Just appreciate the camera, I guess.
Panasonic took part in a press conference just yesterday in New Jersey, where it announced a new entry targeted towards the high-high-high end market of cinema. The 4K camera/video-recorder is titled the VariCam 35 (AU-VREC1), and it claims to be a powerhouse in handling a variety of formats.
Slowly, but surely, the worlds of cinema and photography are abandoning film as a medium. In the consumer market, it’s arguable that film is already wiped from existence as a business; film is hard to find and higher in price as a result because of the small market that still demands it. In cinema, it’s endangered. A decent amount of directors still stick to it, but the production companies need to be ready for the budget cut the cost will take.
The problem is that there’s still an interest in film photography, but it simply takes too much effort to pursue for the general consumer. At the end of the day, however, it’s the vintage feel film gives that most people would like to emulate. VSCO‘s been offering solutions for that for a while now. They’ve been selling plug-ins for Adobe Lightroom, Adobe CR, Photoshop CC, and Aperture; each plug-in comprises a variety of filters that literally emulate different types of film. As weird as that sounds, it works. VSCO’s great at what it does, and they just released the newest addition to their film packs yesterday.[Read More…]
It’s called the Canon Remote Controller RC-V100, and it looks just as complicated as its name.
The announcement came just this morning through Canon Professional Network of a remote control designed by the digital imaging leader; the RC-V100 is built for compatibility with the Cinema EOS camera line and the XF Series professional HD Camcorders.[Read More…]
Over the years we shared quite a few interesting ways to develop analog film. Coffee, Red Wine and Tylenol being some of the more uncommon developers, but we never actually took the time to show any of the mechanics of the development process tweaked.
Dutch photographer Jan van den Broek shared “an idea” that I think has the potential to inspire many folks who still love to develop their own film. He used Lego Mindstorms to create a semi-automatic developing machine.[Read More…]