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After yesterday’s Pinhole Bonanza, I am proud to serve you the Battlefield Pinhole Camera DIY tutorial.
The battlefield is a revolutionary pinhole camera that simultaneously uses 3 rolls of 35mm film to capture an image split across all three rolls. Look at the image on the left for a clue on the name origin :)
This tut has lots of details and is somewhat technical, so we will jump between images, videos and text, using the best method (or methods) to illustrate each step. Try and keep up.
I just love this project by Joris van den Heuvel. It is an exemplary project of following a larger skeleton for making just about any travel flight case.
Strobes, cameras and lenses can definitely fit in, but all the lighting modifiers would go in a different bag – a bass case :)
Most of my photo shoots take place in a local music venue. I have great fun shooting various metal bands, using two camera bodies, 4 fast lenses and a remote flash gun, with a replacement value of around €3500 nowadays. Carrying all that stuff into a place with no real safe place to put it is a considerable risk. And I’m not even talking about taking everything to the stage; I usually put my stuff in an area that’s off limits to visitors, and take only what I need to the stage. Still, putting it in bags, however sturdy they are, might not be safe enough to prevent someone stepping on it when I’m not around – Shrug….!
I used to be a performing musician for twelve years, and I kept my equipment and bass guitar in flightcases I built myself. Those cases have been around the country – even beyond, and held up extremely well. So it’s only logical to put my photo equipment in a flightcase as well. Luckily DSLRs, lenses and flashes aren’t as big and heavy as bass guitars, amplifiers and speaker cabinets smiley.
This article is just a showcase. Head over to Fuzzcratfs for a considerably more in-depth article on how to build a flightcase. You’ll see this case as an example project with much more technical details about the tools and materials used.
If you’re using strobes, pocket wizards, remotes, or RC cars, you are probably using AA batteries. Those are small little wonders of energy.
Here is the big question, how do you manage them on location? How do you keep the loaded batteries ready for grab?
How do you make sure the empty ones get enough charge?
How do you sleep at night knowing that a battery may stop working at any given time?
Good questions! Benny Johansson, AKA Benvelo created a full system just for that and guess what? It is graphically rocking.
Sometimes, for various reasons, you need to shoot from a very low vantage point. In my “cozy” studio, which you might remember seeing in my video – “intro-duck-tion”, that happens quite a bit.
The shortest tripod I own is sometimes still not quite short enough, and handholding is not always an option. So I recently made this floor plate.
While the glue was drying, I looked up similar items on the open market and found that there are a few options out there, but they cost between $50.00-150.00, and in my opinion they are often too light and/or too small to offer true stability and support for a heavy – possibly front heavy – camera. Many of the DIY solutions I came across were also overly complicated.
So, I built my own, which cost me about $20.00, and is now already ready for action.
It’s amazing how a new gear bag can brighten up your day. And my new bag is certainly doing wonders for my mood.
Up until recently, I had two modes of operation: Light – in which I traveled with my Bazooka kit – Westcott shoot through umbrella and mini lightstand bunjeed together and held with an M16 strap and Loaded – where I used an old trade-show-stand-bag for an additional stand and umbrella, my softlighter II, and my Apollo box.
It was OK for lagging stuff around, but not very comfy when it comes to packing and unpacking – there was only a top opening, which made it hard to grab the right modifier or to place everything back in.
On my last session with Tomer Jacobson I picked up his little trick. He uses a bass guitar case for lagging his lighting stuff around. I got one today for 35 USD (it was listed 40, but when the store person heard that I’ll be using it for lighting gear, he took 5 dollars off. cool!).
Glass is one of the hardest thing to photograph. It is transparent, hard to define, and punish for every spec of dust. In this post, we will explore two cheap, easy ways to ease the pain of shooting glass. And get stuffed with Pringles while doing so.
Bright Field and Dark Field are two lighting techniques used to shoot glass I first saw the term while reading Light Science & Magic though the principles are probably way older then the book.
Photographer Steve Bennett came up with a sweet and super cheap setup to perform both lighting schemes quickly and on a budget.
As a child we used to have a special plastic container in the fridge. The battery container. At any given moment it had a about two dozen batteries.
As I grew up and started to use a camera (a used Nikon F70) and a strobe (A used SB28), and then 5 strobes it was only natural come up with a better system.
A system that would be kind to mother earth on one hand, and will allow me to shoot as much as I want on the other. The system evolved over the years, and will probably keep changing. This is where I stand now.
With the blast of HDSLR comes the need to create a more comfortable way of shooting video with SLR shaped bodies. You can get one for about $2000 or make your own for about 7$.
All you would need for that is a IKEA cutting boards, a stove, and some pipes.
Yes, I did say IKEA cutting board.
Over the last few days, Flickr Explore has been sizzling with multiple pictures of Vincent Riemersma featuring splashes in wineglasses.
We asked him to explain how he made these pictures and was willing to share this information. He kindly agreed.
Yay!
Is it cold and rainy where you are? I mean really cold and rainy. The kind that you don’t wanna go out of the house. Here is a project that is both fun to make and play with.
It is a family flavored go fish. If you have small kids they will love you for it, and for the great family time you are going to have playing with it.
My little one had the Chicken Pox last week. She’s all good now, but that was a week with almost all productivity coming to a halt, as taking care of a small kid who any wants to itch is a full time job. We did spend a considerable amount of time playing go fish. It is a card game with the goal of making four-of-a-kind-set. (The original game is played with a deck of poker playing cards, but they come with any subject imaginable).
Then My oh-so-clever daughter asked for a family go fish. Who am I to say no to a Chicken Pox stricken kid with a puppy eyes.
Udi Tirosh is an entrepreneur, photography inventor, journalist, educator, and writer based in Israel. With over 25 years of experience in the photo-video industry, Udi has built and sold several photography-related brands. Udi has a double degree in mass media communications and computer science.
Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe
Dave Williams is an accomplished travel photographer, writer, and best-selling author from the UK. He is also a photography educator and published Aurora expert. Dave has traveled extensively in recent years, capturing stunning images from around the world in a modified van. His work has been featured in various publications and he has worked with notable brands such as Skoda, EE, Boeing, Huawei, Microsoft, BMW, Conde Nast, Electronic Arts, Discovery, BBC, The Guardian, ESPN, NBC, and many others.
John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.
Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.
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