Well-known fashion photographer Jingna Zhang has announced that she has decided to no longer engage in fashion photography, citing an unforgiving uphill battle against racism in the Western Magazine market as one of the reasons for quitting.
While Vogue is being slammed for not hiring a Black photographer for shooting its August cover, Vanity Fair seems to have made a good choice. For the first time in its 35-year history, the magazine hired a Black photographer to shoot its cover photo. It was shot by Dario Calmese, featuring the amazing Viola Davis.
We’ve featured photographer Waleed Shah before with his empowering project Rock Your Ugly. Following him on Instagram, I noticed that he started publishing magazine covers with cheeky, ironic and humorous messages. I was curious to learn more about the new project he named simply Magazine Covers. So, I got to chat with Waleed about it a bit, and he shared his inspiration behind the project, as well as some images.
After successfully planting a fake model for photographers at last year’s London Fashion Week, Zac and Jamie of The Zac and Jay Show wondered if they could do it again. And they got even crazier this time. They hired Elizabeth, a beautiful and charming 78-year-old lady to be their model. They dressed her into a wonderfully ridiculous creation consisting of a green suit, plastic clothes pegs, and bubblewrap. And she totally rocked it in front of photographers who thought that she was one of the actual models
Shooting with only available light can be quite a challenge sometimes. The same goes for shooting in small spaces, as well as shooting in ugly locations. But what happens when all three conditions meet? Can you imagine taking professional-looking fashion photos in a tiny, ugly backyard shed with nothing but available light? Irene Rudnyk can, and as a matter of fact, she did an amazing job shooting in these conditions. In this video, she shows you how she did it, so you can learn how to take magnificent shots even in impossible conditions.
The world of fashion can be quirky sometimes, to say the least. We’ve seen models wearing bizarre creations many times, and Zac and Jamie of The Zac and Jay Show wondered: could they plant a fake model and make photographers at London Fashion Week think that he was real? It turned out that it was pretty easy to do it; all they needed was one day and some imagination for creating a ridiculous outfit.
I went to university in a beautiful little town called Falmouth, Cornwall, in the very south western tip of the UK. It’s 6 hours away from London, so not exactly near to the “fashion capital.” However, it’s surrounded by incredible landscapes: rolling hills, cliffs, rivers pouring out into the sea… it’s quite magical. So when I finished my degree, and everyone began to move up to London to find work, I knew I didn’t want that. I was so in love with the area, I wanted to stay put.
My name is Andrea Belluso and I used to define myself as a fashion and beauty photographer.
To be great at lighting in photography is much e¬asier than you might think. I see most photographers making things way too complicated and spending way too much time thinking through their lighting and trying to achieve the perfect picture.
All this eventually leads to frustration, irritated clients, and eventually considering photography a job like any other. In order for you to maintain fun and pleasure in your photography and being as excited with every single picture you take as you were when you took your first picture, it is vital to have the element of freedom and adventure with every single shot.
So, how do you do that? Simple, it’s all in your approach to lighting.
Lighting is not a technical thing, it is a way of creating feelings, emotions, and moods. The technique and technical equipment are just there to help us. Just like brushes and paint are not what creates how a painting makes you feel, they are simply tools that used in one way or another will change your mood once you look at the painting.
So here are 6 tips on getting better at lighting and having more fun and ease with it.
Justin Rosenberg is a photographer who loves fog! But that’s not all he shoots, in his own words he says ‘In my images, I aim to convey a sense of that hope in the struggle. Much of my work focuses on a single subject relating to a seemingly harsh/sparse environment. I’m often drawn to the natural world as a setting; particularly cold, foggy, and gloomy scenes. I find there to be a beautiful vulnerability in the loneliness and isolation of a subject in a harsh/sparse spaces.
Though fog is not in all of my work (mainly due to my lack of ability to control the weather), whenever possible, I try to incorporate it. Fog forces you to be in the present moment. In any direction, you can only see for a just a little bit, so all you’re left with is exactly what is happening in that moment. You can look in front of you, but you can’t see the future. You can look behind you, and you’re not defined by the past. You’re just exactly where you are, right where you need to be, right when you need to be there.’