When you think of street photography, a super-telephoto lens probably isn’t the first thing that comes to mind. But Evan Ranft thought: why not? He teamed up with Chris House to test out a Sony FE 200-600mm f/5.6-6.3 G OSS lens in the street. While it still wouldn’t be his first choice for street photography, it does have its perks, and Evan shares his impressions and some photos in this interesting video.
Smartphone cameras are getting better and better, plus they are easy and very intuitive to use. This is why many of us rely on them for taking photos in everyday situations. However, because of their ease of use, some camera options remain hidden and unknown to users. In this video, Evan Ranft shares three lesser-known iPhone camera features. You may not have known about them, yet they can help you take better photos with your phone camera.
When you decide to pursue a career in photography, you’ll get a lot of reactions and advice: and not all of them will be positive and useful. photographers Evan Ranft and Chris House have talked about the things everyone told them before starting a photography career that actually have nothing to do with a real photography career. Evan discusses five of these lies in this video. Do they seem familiar to you?
Some might have you believe that neutral density and polarising filters aren’t required in today’s modern era of digital photography. That you can replicate their effects in post. No problem, just a couple of clicks, right?
Well, no. While many filters aren’t really required any more (unless you just want to save yourself some time in post), neutral density and polariser filters both offer effects that can’t be accurately recreated in post. In this video, Evan Ranft explains why and how each of these different filters work.
I have kind of a love-hate relationship with split toning. I love the work I see others doing with it, but for me, it never really gives me what I want. I guess I need more practice. But Evan Ranft (formerly, Evan 5ps) has a handy little tutorial for dealing with split toning in Adobe Lightroom. The technique should work exactly the same way in Adobe Camera Raw, too.
There are lots of “rules” when it comes to composition. Guidelines that are great starting points for those just starting out. Adhering to these rules does not mean you will create a masterpiece every time, though. Nor does breaking them mean your photos will suck. But there are some aesthetic things that these “rules” often tend to not mention.
In this video, photographer Evan Ranft talks us through 4 common composition mistakes that every photographer makes. He’s made them, I’ve certainly made them. You, too, either have or will make them at some point in your photography journey. But they can be avoided, if you can spot when you’re doing them.