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How to make your digital footage look like it was shot on Super 16mm film

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Shooting with real film is the dream of many filmmakers. Often, they actually get their chance, and fall in love with it. But these days, even more so than in the past, film is very expensive. Unless one is independently wealthy or wins the lottery, it’s just not viable for every project.

Simon Cade at DSLRguide has discovered this, too. Having recently started to try out Super 16 film, he knows he can’t justify the expense to use it for all his projects and ideas. So, he set out to recreate the look in post using DSLR footage. In this video, he talks about analysing the Super 16 format, and how to reproduce it digitally.

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How to deal with haters and negative feedback on your work

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When you start publishing your creative work online, you need to be prepared for all kinds of comments, both positive and negative. While the praise feels good and constructive criticism helps us grow – what are we gonna do with “haters?” Simon Cade of DSLRguide gives you some tips how to deal with hateful comments. You should leave them alone, but not ignore them completely. You should also change your attitude, and Simon shares some very helpful tips how to find the balance and turn even hateful feedback into fuel for your future growth.

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This is why you should just give up and quit photography

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We all have those nagging doubts when it comes to what we shoot. No matter how good others tell us we are or how amazing they believe our work is, we feel like frauds. We struggle constantly, whether it’s with ideas, budget, time, stress. And when you sit and think about it, there are more reasons to quit than to keep carrying on.

It’s bad enough when other people tell us what we can’t do. When we tell ourselves, it can be truly devastating. It’s a topic explored by Simon Cade in this video. He talks about what he goes through, how he feels, and why he should just quit.

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10 shooting tips to make amazing slow motion sequences

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Shooting slow motion is now easier than ever. Many cameras being released now will shoot 60fps. They may only do it at 1080p, but they can do it. If your final project is 24fps, that means you can slow down 2.5x without losing a single frame. If you’ve got a camera that shoots 120fps or 240fps, then you can slow things down even further. With 1,000fps cameras for our phones on the way, we can go even more slow-mo crazy.

But how can you use slow motion effectively? This video from Simon Cade at DSLRguide goes a long way toward answering that question. Some of the tips are technical, and some are purely creative. The why is just as important as the how when it comes to using slow motion, if not more so. Because if you don’t have a good reason why you want to use it, then the how doesn’t matter.

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