I was hired for this project in November of 2018 by Dovetail to capture the St. Louis Gateway Arch with a drone. We started the paperwork in January of 2019. It began with getting approval from the Gateway Arch National Park. This wasn’t too difficult since they were the ones needing the photos and video, but they wouldn’t give the final paperwork until we got airspace approval from the FAA.
FPV filming pilot from Sweden, Viggo Koch, recently took his drone to the Liseberg amusement park in Gothenburg. He followed the HELIX rollercoaster and thanks to some mad piloting skills, he shot footage that might make you a bit dizzy, but it will also make you go for a ride right now!
Drones have become widespread in photography and filmmaking, and their applications keep growing. Researchers at UC Berkeley’s High Performance Robotics Laboratory (HiPeRLab) have created a drone that shrinks mid-flight so it can squeeze through small spaces.
These days, drone videos have all become a bit… samey. But that’s largely because most people shooting drone videos are all using the same drones. The vast majority of which are made by DJI. DJI makes some fantastic drones, capable of shooting some incredible video. But they’re too “safe”. Designed to be stable, steady, predictable, and easy.
But what happens when you take away that safety? That stability? That predictability? Well, that’s when you’re really forced to learn how to fly.
Nature can often present us with some rather wonderful and rare sights. Sights such as spinning ice circles in slow-moving rivers. One particularly giant and impressive example popped up in the Presumpscot River in Westbrook, Maine recently.
Drones are no stranger to the articles on this website, so a movie that features a drone it’s pretty relevant, right? Well… I don’t even know what to say about this one. Unless this is supposed to be a comedy, and I genuinely can’t tell from the trailer, I cannot think of a dumber idea for a movie than this.
So, it’s like Child’s Play? But Chucky’s a drone? Yes, folks, that’s basically the plot of “The Drone”. “A serial killer transfers his consciousness into a consumer drone”, the trailer description says. In this case, some model of DJI Phantom.
When you first get a drone, every single video you shoot looks amazing. At least to you, the person who made it. Because you made it. But after a while, when the initial buzz has worn off, you look at your footage and perhaps feel a little deflated. It wasn’t as good as you remembered it being. So, you need to push yourself. Use drones in a more interesting way. Use them to tell a story.
In this video, Dirk Dallas of From Where I Drone walks us through five cinematic drone techniques. Each can be used to help tell a different part of your story and connect with the viewer in a different way. And, they’re visually impressive manoeuvres, too.
Almost 2,000 years ago, in the year 79, the Roman city of Pompeii was annihilated by Mount Vesuvius. Buried under ash, with many of its residents trapped and unable to escape it’s said to have killed around 2,000 people. It’s been a great source of interest ever since. Especially to archaeologists.
After centuries of excavation, much of the city has now been uncovered. It can be difficult to really grasp the scale of a city like Pompeii from the ground, though. But thanks to this 45-second drone video published by the Porta Stabia archaeological group, we can see a better overview of the area.
We’ve seen plenty of amazing drone footage so far. But, what about a long take with a drone, indoors, at some impossible angles? Katsu FPV created a video which demonstrates the impressive shots you can get indoors with a nano-drone. Long takes can generally hold my attention, but this one just blew me away.