If you’re just starting out with photography, the concept of depth of field is one of the first ones to learn. And in this video, you’ll see it explained in the comprehensive, but also the most fun possible way – with Lego figures. Four Bricks Tall helps you grasp the concept of depth of field in only three minutes so you can improve your storytelling in toy photography or any other genre.
In this video I’m going to put to rest this question once and for all, does sensor size affect depth of field? I’ll be physically taking pictures with a full frame camera and a micro 4/3 camera and showing you the visual difference in a range of aperture settings. There are lots of theories and opinions on this but here is the definitive answer.
If you are just starting out with photography, you’re learning about plenty of new concepts. Depth of field is one of them. Although it’s one of the essential elements to understand, it can be overwhelming if you’re completely new to it. Therefore, I have come up with the ultimate beginner’s guide to controlling depth of field with lens aperture. While I focus on nature photography, you’ll find this guide handy regardless of the genre you generally shoot. So, let’s get right into it!
Recently we showed you a tutorial from Unmesh at PiXImperfect on using the Irix Blur tool in Photoshop to simulate a shallow depth of field in the studio. That technique can also be applied to headshots on location, too, but when you’ve got varying degrees of depth throughout your scene, with multiple planes at different levels of depth, it’s not the easiest to work with.
In this video, Colin Smith at photoshopCAFE shows us a different technique for simulating depth of field effects in Photoshop CC that solves that very problem. His technique allows you to easily blur different parts of the image by different amounts based on a depth map – which he also shows us how to make.
Shooting with a shallow depth of field has become so popular in the last few years that it’s almost become a cliché. But it remains something that’s very much in demand. Fast f/1.4 and f/1.2 lenses can be extremely expensive, though, and so very difficult for people to achieve with their f/slow-slower kit lenses, especially if working with APS-C or Micro Four Thirds sensors.
In this video, Unmesh Dinda from PiXImperfect shows us a way to simulate shallow depth of field in Photoshop using the Iris Blur filter on a smart object, with a neat tip to offer a lot more control over the Iris Blur filter than you might’ve realised it offered.
“Bokeh” is a Japanese word describing the aesthetic quality of the blur in out-of-focus areas of photos. And as we all know, it’s a noun. Well, Apple decided to play with language a bit in its latest ad and turn “bokeh” into a verb. Oh, and the ladies in the ad are pronouncing it wrong as well.
Depth of field can be a somewhat confusing topic to get to grips with if you’re new to photography. That is to say, it’s easy to see what depth of field is, but it can be tricky to understand what elements can cause it to change, whether intentionally or by accident. In this video, photographer Kellan Reck takes a look at depth of field and explains the variables that can affect your depth of field.
With fancy dual and triple camera phones, you can set the depth of field of your images using a simple slider. But did you know you can do it in Photoshop, too, after you’ve taken the photo? Colin Smith of photoshopCAFE figured out a way to refocus images in Photoshop after they were shot, and he’s sharing it with you in his latest video tutorial.
Should you switch from APS-C to full-frame? Or perhaps shoot large format? Does it matter? What will it change? Ah, so many questions. In this video, Jay P. Morgan and Kenneth Meryl have decided to test four sensor sizes side by side and give you the answers. They shot with a large format, a full-frame, an APS-C and a micro 4/3 camera. Here you can compare the images side-by-side and see for yourself how much of a difference there is.
Lenses are an integral part of photography or filmmaking. Well, unless you’re using a pinhole camera. But field of view, focal length, and crop factors can be confusing for newer photographers. This video from The Basic Filmmaker goes over the basics of what they all mean and how to convert “focal length equivalency” for non-full frame sensors.