In this video I’m going to put to rest this question once and for all, does sensor size affect depth of field? I’ll be physically taking pictures with a full frame camera and a micro 4/3 camera and showing you the visual difference in a range of aperture settings. There are lots of theories and opinions on this but here is the definitive answer.
“Bokeh” is a Japanese word describing the aesthetic quality of the blur in out-of-focus areas of photos. And as we all know, it’s a noun. Well, Apple decided to play with language a bit in its latest ad and turn “bokeh” into a verb. Oh, and the ladies in the ad are pronouncing it wrong as well.
Should you switch from APS-C to full-frame? Or perhaps shoot large format? Does it matter? What will it change? Ah, so many questions. In this video, Jay P. Morgan and Kenneth Meryl have decided to test four sensor sizes side by side and give you the answers. They shot with a large format, a full-frame, an APS-C and a micro 4/3 camera. Here you can compare the images side-by-side and see for yourself how much of a difference there is.
I often get the feeling that photography is talked and written about as if its practitioners have an innate knowledge of the terms involved. Any craft or profession comes with its own specialist language, but if you’re new to it—and even if you’re not—you can often feel overwhelmed by the terminology, let alone the technicalities of the medium. Thinking back ‘hyperfocal distance’ is one of the terms that most baffled me.
You will most likely hear ‘hyperfocal distance’ mentioned in relation to landscape photography. It describes a mathematically calculated sweet-spot that, when you focus there, maximises the depth-of-field across your scene. For, while you might believe that using a small aperture and focusing at infinity would do the job, it doesn’t.