Very early on in the journey of a photographer’s transition to flash, particularly studio strobes, the first question we find ourselves asking is “what modifiers should I use?” Actually, the first question is probably “what’s a modifier?” which is then followed by the other one. You start to do a little Googling and searching around retailers, and you discover softboxes. There are so many different shapes and sizes out there, though. Which is the right one?

Well, the fact is that there is no objectively right or wrong softbox. They all exist because they’re all useful. They’re just all useful in different ways and each present a different appearance of light only our subject, depending on how you use them. In this video, David Bergman (and Dean Edwards) take an almost 20-minute tour around every size and shape of softbox you can imagine illustrating what they do.

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