To be quite honest, I almost never use a lens hood. On the other hand, I know photographers who never take it off their lenses. In this video from Adorama, David Bergman will tell you why you should use a lens hood on your lenses. Do you agree with him?
When we talk about professional headshots, it often involves a studio and using at least one light. But if you’re on a budget or out of the studio, you can still get professional-looking headshots without using any artificial lighting. In this video from Adorama, David Bergman will show you how.
Wide-angle lenses are not the most common choice for shooting portraits, but they can give some interesting results. If shooting wide is your creative choice for portraiture, there are some things to watch out for. In this video from Adorama, photographer David Bergman will give you some quick tips on what to keep in mind when shooting portraits with wide-angle lenses.
Photographing glass can seem tricky and difficult to do right. But in this video from Adorama, photographer David Bergman shows you that it’s easier than you might think. In only two minutes, you’ll see the lighting setups and a few tricks that will help you create different looks of your images and end up with professional-looking results.
There’s a lot of myth and misinformation out there about grey cards. They’re often a bit of a pain to use sometimes, too. But they can be one of the most valuable tools photographers have at their disposal when it comes to getting good and consistent exposure. In this video, David Bergman walks us through how to use one.
When shooting portraits, the background is one of the things you need to be mindful about. And if you shoot outdoors, you don’t have so much control over it as you do in the studio. In this video, photographer David Bergman will give you a few quick tips for choosing the perfect background and improve your outdoor portraits in an instant.
Coloured filters have been popular amongst black & white film photographers for decades. Typically, these are blue, red, orange, yellow and green. They help to increase contrast in skies and reduce the appearance of blemishes on skin, but are they still useful today with black & white digital?
That’s what photographer David Bergman explores in this video. He thinks that they are still valuable.
It’s summer and the days are long and sunny. If you shoot portraits outdoors, the harsh midday sun may mess up with your plans. You can embrace it and incorporate it into your shots, but you can also create your own shade and modify or even block the harsh rays of the sun. In this 2-minute video, photographer David Bergman of Adorama will show you a couple of possible solutions for creating your own shade without changing the shooting location.
The day-to-night transition has been the holy grail for timelapse photographers since timelapse first became a thing. What makes it difficult is rather obvious. The exposure is constantly changing as time passes. But dealing with that change in exposure over the course of an hour or two is not so straightforward.
But it’s not impossible to achieve, and there are various ways to do it, as David Bergman discusses in this video. Each of the methods has their own advantages and disadvantages, and which technique you’ll use will depend on your own judgement. But this will give you a great starting point to make your own.
I love it when the warm light of the setting sun fills up the room. It looks nice in photos, and it’s good to know that you can recreate it at any time of day. In this video from Adorama TV, photographer David Bergman will show you how to mimic the warm sunlight using only a single speedlight.