Curves are one of the most powerful and versatile tools in Photoshop. They can even replace several other tools since you can use them for split toning, or adjusting contrast, exposure, and white balance. But how well do you understand this tool? Can you read the curve chart and figure out how it affects an image? Retouching Toolkit has a fun quiz for you which will tell you how well you understand Curves. Let’s see how you score!
Curves are one of the most valuable and powerful tools contained within Photoshop. Many of us have been using them for years. But do we know all of the tricks when it comes to working with them? Probably not.
This short video from Julieanne Kost at Adobe shows us 13 quick tips for working with Photoshop’s Curves in just two minutes. The tips cover a range of slightly less common techniques, including working with multiple curves simultaneously and making adjustments from the image canvas itself.
Some photographers are intimidated by the Curves tool at the beginning, but this is one of the essential and most versatile tools in photo editing. In this video, Denny of Denny’s Tips shows you four applications of Curves, and why it beats the other tools you can use for the same purpose.
There are several ways to color correct your images in Photoshop and Lightroom. In this video, Jesús Ramirez of Photoshop Training Channel gives you a tip that will speed up this process significantly. He teaches you how to set Photoshop’s algorithms in only a few seconds, so you can change the white balance in a single click next time you need it.
Colour grading is such a complicated and in-depth topic. Sure, you can cheat and buy some preset pack from somewhere, but you gain so much more when you learn to understand colour and its nuances. Then you can create your own grades and get them just the way you want.
That’s the point of the Look Creation & Color Grading series from RAWexchange. The whole course is four hours of video training that covers digital colour theory and principles in both Capture One and Photoshop. It’s a paid course, but there is also this free bonus videos, which shows us how we can analyse and reverse engineer a colour grade, and then apply it to other images using curves adjustments.
You can adjust the tonality of the photos using either Levels or Curves. But how to know which to use? And what are the differences anyway? Unmesh Dinda a.k.a. PiXimperfect shares a video about the differences between these two tools. He uses an interesting analogy, comparing them with different types of calculators. So if you’re wondering what exactly makes Levels and Curves different, this video should make it easier to understand.
This week I’m showing you a super quick and easy to way to reduce the highlights, no matter how complex they are, with a simple trick in Photoshop.
As life is quickly becoming busier and busier for me I’ve had to find solutions to be able to work on the go and with that, naturally comes sacrifice.
I opted for a Surface Pro 4 and an iPhone 6sPlus for my “Travel kit” and with the Wi-Fi abilities of the Sony A7ii it makes for a versatile set of tools that can cover a range of operating systems / platforms and quickly allow me to output some high quality material.
I had to shoot in an environment without HSS (Didn’t have my Citi600 with me) and I didn’t have my Hoya ND16 filter with me either. Which meant that I couldn’t effectively overpower the ambient light coming off the stage to get rid of the blue on the model’s skin.
This led me to trying a few solutions, albeit badly until Stefan Kohler hooked me up with this ridiculously simple and awesome solution for fixing colour problems while retaining all of the micro details in contrast etc (which you lose when you use Frequency Separation for low level skin etc).
In order to understand curves we need to understand color in the way that Photoshop does. This is called Additive color theory
EVERYTHING in an image is made of 3 colors – RED – GREEN – BLUE