corporate photography

How to turn any boring office space into an interesting background

May 12, 2022 by Alex Baker Add Comment

Many of us have been there. You get a call to go and photograph or film some people in an office somewhere. You prepare with all sorts of cool ideas, maybe we could shoot in the lobby, or the roof garden you think. But no, when you arrive you’re shown to a smallish conference room with a massive table in the middle and beige walls. How are you going to make this look cool?

Well don’t worry, there are a few tricks you can use to pimp up even the blandest of offices. In this video from Epic Light Media you’ll discover how.

How to use a gym bag full of old mobile backdrops to turn any office into a proper studio for corporate headshots

Feb 6, 2020 by Dan St Louis Add Comment

Corporate headshots—they pay so well, and yet for many photographers, they represent the lowest form of photography. The work is repetitive, and yet involves some significant challenges in terms of managing quality and clients.

One of those challenges is managing light during office on-sites. You’ll rarely have the opportunity to scout locations beforehand, and yet you’ll have to bring the right equipment to be prepared for practically anything.

A comprehensive guide to corporate headshot photography

May 31, 2018 by Dunja Djudjic Add Comment

As a portrait photographer, you may have a task of shooting corporate headshots. It differs from traditional portrait sessions: you have much less time to get your models comfortable and to get the best shots. In this fantastic video, Sean Tucker shares his workflow and plenty of tips and tricks that will help you get into corporate headshot photography and be great at it.

How To Get The Perfect Corporate Photo

Oct 19, 2014 by Udi Tirosh Add Comment

Getting a good corporate photos has a lot to do with lighting. What should not come as a surprise if the fact that it also has a lot to with human interaction.

J.P. Morgan and the slanted lens crew walk through the ropes of a recent corporate shoot they did, and while they do talk about lighting (as always) I love the fact that they are investing a bit more time on this video about prep-work and talent direction.

The big take for me was not the lighting setup. It was the how to make sure the talent looks good and feels good, which definitely shows on the final image. (Yes, you will need to bring a steamer).

[One Light Corporate Image | The Slanted Lens]