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Skylum shows off the new Luminar 4 Sky Replacement feature in action

Aug 15, 2019 by John Aldred 2 Comments
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Sky replacements are fairly common in photography these days. Not everybody is shooting a camera with a wide enough dynamic range to always capture a well-exposed subject without a blown out sky. Or, perhaps the sky on the day you were shooting is just a bit boring. Typically, we take to Photoshop to do the sky replacement and blend it in with our foreground scene.

Luminar 4, though, is coming with a new AI Sky Replacement feature, first mentioned last month. Now, Skylum has released a video showing the sky replacement feature in action in the latest beta edition of Luminar 4.

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How to blend two landscape photographs together in Photoshop

Aug 13, 2019 by Tim Daniels 3 Comments
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Part of the joy of landscape photography for me is standing around and waiting for the light to change. You put your camera on its tripod, compose a shot and wait, taking photos every few minutes, whenever the sky or light or whatever looks interesting.

I caught the tail end of a storm in Santorini, Greece, with heavy clouds blowing over right at sunset. An hour or so later and it was blue hour, with streetlights and buildings lit up. Both photos are below, after being edited in Lightroom using the Lightroom Develop System.

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How to create a festive wintery portrait in the studio with a little compositing

Dec 31, 2018 by John Aldred Leave a Comment
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Christmas has gone. We’re almost to the new year. In a few hours, we’ll be there. But it’s never too late for a festive wintery themed photo shoot. Winter’s still going to be here for a while yet. In this video, photographer and educator Gavin Hoey walks us through his process to create this festive fine art composite portrait in the studio.

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Five tips for making green screen shots more realistic

Dec 20, 2018 by Dunja Djudjic Leave a Comment
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Green screen shots can look stunning, or they can be hilariously bad. I’m sure you want to create the former ones, and Ryan Connolly of Film Riot will help you with that. In this video, he shares five essential tips that will make green screen shots more realistic and believable.

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How we made this exploded view of a floating Sigma 105mm f/1.4 Art lens

Sep 9, 2018 by John Aldred 4 Comments
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I’d been looking forward to getting my hands on the Sigma 105mm f/1.4 Art lens ever since it was announced. I got to have a brief look at one during The Photography Show back in March, but didn’t really have the chance to play with it properly.

Fortunately, one of my closest friends is Sigma UK Ambassador, Paul Monaghan. So, when they sent him one to play with, we decided to get together. We met up a couple of times to go out and take it for a spin and I’ve already posted my first impressions of using the lens. The second time, though, the weather didn’t cooperate, so we used the lens as the subject of a product shot.

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Shoot for better composites by choosing your background first

Jul 9, 2018 by Robert Cornelius Leave a Comment
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As an artist who shoots mostly composites, more often than not I’m going to be cutting out my subject and placing them in a different scene. A lot of the time I only have a rough idea of what kind of a background I’ll be using, so I just shoot my subject as best as I can and figure out the backdrop later. Sometimes I have no idea what I’m going to do with my model, but a wise and incredibly good-looking man once said, “You don’t always need a plan.”

HOWEVER, if I do a shoot knowing full well what my background looks like before I even pick up my camera, it makes everything a million times easier.

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Here is an easy tip for compositing hair like a ninja

Apr 17, 2018 by Robert Cornelius 2 Comments
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I wanted to share one of the images created for a tutorial I made, and chat a bit about one of my greatest compositing tips – hair extraction. You’re welcome. But if you’re all, “Thanks for the great tip about compositing Robert!”  … But that’s just not enough. I want to know more!” Then you can go buy my tutorial and help pay off my epic student loan debt ….

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How to add images to displays in Photoshop and make them look legit

Apr 2, 2018 by Dunja Djudjic 2 Comments
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When you shoot photos of interiors, you may want to add photos to TV screens or other displays in the room. In this video, photographer Tony Roslund shares his technique that will help you make such composites look realistic and as if they were created in camera.

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Wacom’s entry-level Intuos tablets just got a huge new upgrade

Mar 8, 2018 by John Aldred 1 Comment
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A graphics tablet is one of the most essential pieces of kit one can own as a photographer or retoucher. Sure, you can edit with a mouse, but a tablet makes life so much easier, and faster, and more accurate. While you’re often good with pretty much anything that has the Wacom name stamped on it, the really good ones have traditionally been rather expensive.

The Intuos is the low budget entry into the world of Wacom tablets, but they’re quite basic. And small. Now, though, with the new 2018 range of Intuos tablets, they’ve seen some pretty significant upgrades in size, sensitivity and capability.

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This simple Smart Object trick solves “Blend If” transparency issues in Photoshop

Feb 6, 2018 by John Aldred 2 Comments
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Photoshop’s Blend If sliders are wonderfully useful and powerful tools. They allow us to seamlessly blend two images together with ease, or knock out elements of our images completely. But, they’re not without their quirks. One of those quirks is kind of a double-edged sword. The perk, and problem is that it takes adjustments you make to the image into account before it applies the blend.

This can be very handy when merging two different landscape images together, for example. But it can be completely useless for other purposes. In this 90 second video, Jesús Ramirez from the Photoshop Training Channel shows us a workaround for this. It’s a trick I often use myself for images here on DIYP, especially when compositing product photos onto new backgrounds.

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Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

Dave Williams is an accomplished travel photographer, writer, and best-selling author from the UK. He is also a photography educator and published Aurora expert. Dave has traveled extensively in recent years, capturing stunning images from around the world in a modified van. His work has been featured in various publications and he has worked with notable brands such as Skoda, EE, Boeing, Huawei, Microsoft, BMW, Conde Nast, Electronic Arts, Discovery, BBC, The Guardian, ESPN, NBC, and many others.

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

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