Filmmakers, rejoice: thanks to a court case from 2019, you may no longer need to get a permit and pay fees for commercial shoots in national parks. D.C. federal judge has just made the decision, ruling that it’s unconstitutional for the National Park Service to require a permit and charge you with fees.
What commercial photo set looks like in the COVID-19 era
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Has COVID-19 impacted the look of advertising campaigns?
Maybe – but probably not by as much as you might think. What is impacted, however, is the way that a commercial photography set operates for the foreseeable future.
As an advertising photographer, you are responsible for everything that happens on set while shooting a campaign. This can range from not just the lighting scheme, but the choice of using craft services versus having a chef on set, choosing the appropriate camera and related equipment, and most importantly the safety of everyone present. This isn’t to say that there are not safety officers on set, or form specific trainers when we photograph professional athletes, but that the buck always stops at the photographer. For those that do commercial photography, we know that there are never ending insurance certificate pulls happening just to step foot on set. But how do we create when it comes to an unseen virus, and what will those campaigns look like?
Here are the new proposed fees for commercial shoots on federal land
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Commercial filmmakers, videographers, and photographers usually need to pay a fee if they want to shoot on every federal land. Right now, however, the fees aren’t consistent across these lands. Therefore, federal land management agencies are currently in the process of standardizing them and making them mandatory and consistent everywhere.
These are six main differences between editorial and commercial photography
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There are plenty of genres and types of photography and assignments. Commercial and editorial photography are terms that often confused, especially if you’re new to the craft. But there are significant differences between the two, and in this video, Scott Choucino will guide you through them.
The problem when taking photos for money
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I’m a full-time photographer, I take photos for a living. It’s my main source of income. Its how I pay the rent, keep the lights on and put food on the table. The problem when you work for money, specifically when you get paid for your photography, is that you are no longer in full control.
Photographers, don’t let one rejection steal your dream
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If you are currently knocking some doors, searching for opportunities and chasing your dreams as a photographer, you know that it can get tough. You may want to give it all up and just start doing something else. If this is the case, here is some inspiration to keep you going. In this video, Joel Grimes talks about how his first portfolio showing almost caused him to quit. But luckily, he managed to get through the tough times and rejections, and he ended up fulfilling his dream to be a professional photographer. In case you need some encouragement and inspiration right now, this is the story you absolutely must hear.
The illusive work of Michael Herb
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Michael Herb is a commercial and editorial photographer from the States who in his own words says “I’ve had an intense, deep-seated passion for art for as long as I can remember. I can find inspiration in everything and my imagination is endless. I challenge myself on every occasion. I’m always learning, always improving, and always striving for more. Where there is life, there is inspiration and where there is inspiration, there is a spark of creativity. It is an endless cycle that I enjoy every minute of.”[Read More…]
Photographer Spotlight: Q&A With Willie Dalton – Outdoor Lifestyle Photographer
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Next in our ongoing Photographer Spotlight series it’s Willie Dalton.
Willie is an Anchorage, Alaska based travel and outdoor lifestyle photographer, film maker and a contributing creative professional at Akela Collective. Willie is also a stock photography contributor at Stocksy United.
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