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Using Gelled Lighting For In-Camera, Color-Theory Driven Stories

Jan 18, 2016 by Glenn Norwood 6 Comments
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I pretty much shoot exclusively color images – I don’t know why, I just always tend to resonate towards color rather than a monochrome image. Maybe it was my formative years when I spent most of my days color printing in a darkroom. Anyway what I realized a few years ago, when I analysed a selection of my work was that that almost all of my images were composed from a very select group of color palettes. I guess this was done intuitively, maybe from my early years of color printing, or from my mis-spent youth at Art college, but from this point I have purposely tried to finesse and perfect the color palettes and theory in all my images.

So firstly I guess its important to lay down some basics. As photographers we are all aware of the Primary colors of Red, Blue & Green [RGB] and the printing Primaries, Yellow, Magenta and Cyan [CYMK including Black] but when thinking about my color palette I tend to think within the traditional Primaries as taught to painters and artists, Yellow, Red and Blue [YRB]. From these Primaries we can off course create secondary and Tertiary Colors. see the Goethe Color wheel below.

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The Relations Between Curves, Color And Magic

Jan 16, 2016 by Natalia Taffarel 10 Comments
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In order to understand curves we need to understand color in the way that Photoshop does. This is called Additive color theory

EVERYTHING in an image is made of 3 colors – RED – GREEN – BLUE

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An Experiment in Color Grading

Jan 10, 2016 by Kate Woodman 7 Comments
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As the New Year rolls in, I find myself looking forward to new things—new directions, new goals, new relationships. But with the start of a new year also comes a time for reflection (literally) of what I’ve accomplished and how much I’ve progressed. As I perform my annual “house cleaning”—purging old work which isn’t up to snuff, and transferring the remaining photos to yet another new hard drive (I’m amassing quite the collection)—I’ve had the opportunity to put a fresh set of eyes on everything I’ve shot over the past year or so.

For me, this is always an extremely educational experience. This year in particular, in conjunction with the typical photography and post processing learning curve, has been one of a lot of experimentation and attempting to define my “style”, and my portfolio has seen a lot of progress as a result. But I find reflecting on this old work is critical to moving forward; by analyzing what does and doesn’t work in the images I have produced, I can further understand my own style and instill it (or avoid it) in future work.

Furthermore, in reviewing old images which may not have resonated with me initially, I gain a fresh perspective and may now see some in a new light (particularly as my post processing techniques improve); and vice versa, what may have excited meinitially now appears outdated and amateurish. Even so, some of those may even be salvageable with a new edit.

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This Trick Will Make You See A Black And White Photo In Color And Explain How Color Perception Works

Nov 16, 2015 by Udi Tirosh Leave a Comment
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What if I told you that the photo above is actually not a black and white photo, it is in full color and it is your brains which is limiting you from seeing it in all its glory?  Of course this is not actually the case, this photo is black and white, but this trick can make you see it in full color and explain how human color perception works in the process. hit the jump and follow the instruction in the film.

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Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

Dave Williams is an accomplished travel photographer, writer, and best-selling author from the UK. He is also a photography educator and published Aurora expert. Dave has traveled extensively in recent years, capturing stunning images from around the world in a modified van. His work has been featured in various publications and he has worked with notable brands such as Skoda, EE, Boeing, Huawei, Microsoft, BMW, Conde Nast, Electronic Arts, Discovery, BBC, The Guardian, ESPN, NBC, and many others.

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

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