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color harmonies

Using Gelled Lighting For In-Camera, Color-Theory Driven Stories

Jan 18, 2016 by Glenn Norwood 6 Comments
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I pretty much shoot exclusively color images – I don’t know why, I just always tend to resonate towards color rather than a monochrome image. Maybe it was my formative years when I spent most of my days color printing in a darkroom. Anyway what I realized a few years ago, when I analysed a selection of my work was that that almost all of my images were composed from a very select group of color palettes. I guess this was done intuitively, maybe from my early years of color printing, or from my mis-spent youth at Art college, but from this point I have purposely tried to finesse and perfect the color palettes and theory in all my images.

So firstly I guess its important to lay down some basics. As photographers we are all aware of the Primary colors of Red, Blue & Green [RGB] and the printing Primaries, Yellow, Magenta and Cyan [CYMK including Black] but when thinking about my color palette I tend to think within the traditional Primaries as taught to painters and artists, Yellow, Red and Blue [YRB]. From these Primaries we can off course create secondary and Tertiary Colors. see the Goethe Color wheel below.

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An Experiment in Color Grading

Jan 10, 2016 by Kate Woodman 7 Comments
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As the New Year rolls in, I find myself looking forward to new things—new directions, new goals, new relationships. But with the start of a new year also comes a time for reflection (literally) of what I’ve accomplished and how much I’ve progressed. As I perform my annual “house cleaning”—purging old work which isn’t up to snuff, and transferring the remaining photos to yet another new hard drive (I’m amassing quite the collection)—I’ve had the opportunity to put a fresh set of eyes on everything I’ve shot over the past year or so.

For me, this is always an extremely educational experience. This year in particular, in conjunction with the typical photography and post processing learning curve, has been one of a lot of experimentation and attempting to define my “style”, and my portfolio has seen a lot of progress as a result. But I find reflecting on this old work is critical to moving forward; by analyzing what does and doesn’t work in the images I have produced, I can further understand my own style and instill it (or avoid it) in future work.

Furthermore, in reviewing old images which may not have resonated with me initially, I gain a fresh perspective and may now see some in a new light (particularly as my post processing techniques improve); and vice versa, what may have excited meinitially now appears outdated and amateurish. Even so, some of those may even be salvageable with a new edit.

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The Power Of Color and Color Harmonies In Composition

Nov 9, 2015 by Stefan Kohler 15 Comments
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About two weeks ago, we hosted a workshop with the amazing  Natalia Taffarel. Now, I am back at the studio and I am having some mixed feelings. Mixed because I’m highly motivated to do a change in my retouching workflow in a crazy way, and because I am overfilled with new input. On the other hand I do not want to see my previous portfolio ever again.

All things considered, I think that this is a positive outcome.Whatever I lacked on my previous work, I am going to add now… After I finished digesting this huge information load.

The first day of the workshop was an eye-opening experience and this is what I would like to focus on today. Mostly, because it fits well with what I repeatedly say: “Retouch only what bothers you most, dont Zoom in to 400% and start to retouch like crazy. Retouch the five things that bother you most. Then retouch the next five.”

At the end of the workshop, I am going to change my workflow. I think it would be right to say that it will be a “Colors and Look” workflow. And I am going to make this change full throttle. This is going to be a key factor behind the photos I retouch. Why? I’ll explain in more detail in the next few weeks – it is a long and interesting process.

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Udi Tirosh: from diyphotography.netUdi Tirosh is an entrepreneur, photography inventor, journalist, educator, and writer based in Israel. With over 25 years of experience in the photo-video industry, Udi has built and sold several photography-related brands. Udi has a double degree in mass media communications and computer science.

Alex Baker: from diyphotography.netAlex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

David Williams: from diyphotography.netDave Williams is an accomplished travel photographer, writer, and best-selling author from the UK. He is also a photography educator and published Aurora expert. Dave has traveled extensively in recent years, capturing stunning images from around the world in a modified van. His work has been featured in various publications and he has worked with notable brands such as Skoda, EE, Boeing, Huawei, Microsoft, BMW, Conde Nast, Electronic Arts, Discovery, BBC, The Guardian, ESPN, NBC, and many others.

John Aldred: from diyphotography.netJohn Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Dunja Djudjic: from diyphotography.netDunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

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