Understanding colors is one of the key concepts in photography. Personally, I’ve always found it interesting to learn about colors, and it has helped me immensely in each of my creative endeavors. In this video, Kebs Cayabyab gives you six principles to follow while taking photos. Master them, and your colors will always be spot-on.
Understanding color theory is one of the essential skills for photographers. It combines art and science and it’s what makes it so interesting, so complex… and so frustrating at times. If you want to be a good photographer, you don’t want to suck at color theory. And this video from Greg Gunn (The Futur Academy) offers five tips that will help you not to suck at it.
Whether it emphasizes the subject or is a subject itself, color is a powerful ally in creating a striking image. In this video, Jamie Windsor gives you eight tips that will help you master the use of color in your photos. He supports each of them with a set of wonderful examples, so take a look, take notes, and enjoy.
A very effective way to color-tone an image, is to use the RGB curves in Lightroom. This allows you to manipulate colors effectively, and you face no risk of adding any banding or harsh transition lines between colors. My goal is not to try to write an exhaustive tutorial, but I hope I can give you a few ideas so you can experiment on your own.
There are many factors that create an impactful and pleasing to the eye image. To me, color is one of the key ingredients in creating a photograph. When we shoot in raw we have to “develop” the images ourselves, and that includes deciding on the colorwork. In fact, one of the reasons why I find photography so compelling is that it gives me room to develop an image and give it my personal interpretation.
Lightroom, Photoshop and many other editing programs come with many color enhancing tools. In this brief article, we will have a look at the color enhancing techniques I apply frequently and which can be carried out very swiftly in Lightroom. The HSL section in Lightroom may cause transition lines between colors (a.k.a. banding). This technique, however, won’t leave any harsh transition lines.
The name of this installment is meant to be a joke, but anyone who follows the blog knows that I’m is a little bit color-obsessed. This image is a play on the highly popular orange and teal color scheme, using the complementary contrast between orange and cyan
There is one genre of photography that is black and white. There is another genre that is exactly the opposite and it is full of color. Today’s breakdown belongs to the second genre.
Being a full-time huge fan/buddy of the guys over at the RAWexchange store, I often get asked to check out their new material. Well friends, let me tell you that their newest endeavor to start selling in-depth tutorials is one of their best ideas yet. Stefan Kohler created a Colors & Photoshop tutorial that is two and a half hours video. And it’s jam-packed with everything you could ever hope to know about colors and how/why they work the way they do in Photoshop. Don’t be scared by the lengthy duration – it’s super-handily broken up into a bunch of smaller videos; each is about a different subject or a certain tool. That way you can absorb the info a bit at a time (because it is a lot), and then you can always jump back to reference one subject and re-watch just that video when you’re ready to give it a go. Some of the subjects he covers in the tutorial include…
- Gaining an understanding about what color is and how it works
- Understanding the principles behind color work and learn to apply it to your own images
- Learn what color harmonies and schemes are and how to apply them
- Additive and substantive color editing using blending modes
- Learn to use colors for complex masking (like selecting detailed lace)
- How to ‘fix’ photos with ‘bad’ color
- Techniques on color correcting and matching skin tones
- How to use curves to fix color issues in ways you may never have considered
Color plays an enormous part in how a movie makes us feel (or a photo for that matter). In fact, when you look back at a movie, one of the most prominent memories will be how it was colored. Maybe not on a conscious level, but the color palate ultimately gives a movie its feel.
Cinema Palettes breaks the color palate down from some poplar movies. This can serve as a great reference tool when you are seeking inspiration or wanting to set the look for a clip of your own.
Of course, the fact that a palette was a good fit for a moody or a happy film does not mean that it will be a great fit for YOUR moody or happy film, but it can help you gain insights on the connection between color and mood.
When used correctly, color can change the mood of the image, or impact the story. It can also draw the viewers eyes to a focal element. In the image below, digital colors are used effectively to focus your attention on the tube. And the controlled color palette also helps keep the image calm.