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How to modify an 8×10 sheet film holder for shooting wet plate collodion

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While it was once the only way you could really shoot a photo, wet plate photography went off almost into the realm of complete non-existence just a few years ago. Lately, though, it seems to be making something of a comeback. Much of the hardware isn’t as easy to get as it once was, although it seems to be more popular again now than it has been for a very long time.

One problem to be overcome with wet plate, though, is actually loading the plates into a large format camera. You typically can’t just use a regular sheet film holder. At least, not without alteration. In this video, photographer Markus Hofstätter shows us how he modifies his 8×10 film holders for the wet plate process.

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This photographer shot his own wet plate passport photos

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I love seeing the wet plate experiments of Austrian photographer Markus Hofstätter. He’s so prolific with them that when he decides to do something interesting it ends up being very interesting. Lately, he’s been trying to apply wet plate techniques to types of photography you wouldn’t normally associate with the medium.

He has a couple of very cool projects on the go at the moment that he will tell us about in due time, but for now, check out these passport photos shot on wet plate using the Polaroid MiniPortrait 402 camera.

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Watch this ultra macro video of the collodion wet plate process

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Normally I create photographs. This time, however, the final product is a video where you can follow the change of crystals/salts from the collodion wet plate process.

I have started this project because at my workshops I am often asked what happens when developing, fixing or sensitizing the plates. Of course, I have often tried to explain it, but a picture is worth a thousand words. That’s why this video was made.

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This photographer turned a house into a camera to shoot the world’s largest wet plate photograph

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As a fan of wet plate collodion, I’ve been following the work of photographer Ian Ruhter for a few years now. I first found him after he converted a truck into a huge mobile wet plate camera. He then built a camera to make the world’s largest ambrotypes, as large as 46×59″ (117x150cm).

Now, Ian’s gone even bigger, to try to take the world record. So, he and his team, Silver & Light, turned an abandoned house into a huge wet plate camera to make an insane 66×90″ (167x229cm) ambrotype on a 200lb sheet of glass.

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Photographing a rock band on wet plate with 7500Ws of strobe power

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Photographing a group of people on large format wet plate needs a lot of power. Even with a relatively wide f/5.6 aperture, with an ISO of around 0.5 that still needs a lot of light. How much light? Well, around 7500 watt-seconds to be precise.

That’s how much power photographer Markus Hofstätter used for this group portrait of Austrian rock band The Black Proteus. Although, surely being photographed on wet plate makes them a metal band now?

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This is what it’s like to shoot ultra large format wet plate macro in a cherry blossom tree

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Because the snowdrop shoot what so much fun, I wanted to do something like that again. After I saw the cherry blossoms on my tree, it was crystal clear what comes up next. I wanna shoot one of these with my wet plate camera, but this time I will shoot them on the tree.

When I was little, this tree was my climbing adventure. This tree has seen better days – the weather from the recent years started to ruin some parts of it. But it is still beautiful in the springtime.

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Shooting steampunk style wet plates handheld

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Shooting wetplate is a bit of a feat all by itself. Sure, it’s getting a little more common than it was a decade or two ago, but it’s still not all that easy, especially if you want to do it well. Photographer Markus Hofstätter is no stranger to large format wet plate photography, but he’s had a burning desire to shoot it handheld. Obviously, the giant plate camera he uses in his studio is a little large for this type of thing, so he went on the hunt for something a little more manageable.

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Photographer takes you through his wet plate collodion process

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Collodion process was invented over 160 years ago, and photography has gone a long way since then. Still, some photographers use this process even in the digital era, and they produce splendid images. Photographer Adrian Cook uses collodion process to create photos on aluminum plates.

Guardian Australia‘s picture editor, Jonny Weeks, joins Cook in his portable caravan darkroom as he shoots Sydney Harbour. Cook talks about his processes but also explains why wet plate collodion photography is so appealing to him even in the digital age.

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The entire start to finish process to make ultra large format wet plate photographs

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Despite picking up a little in popularity in the last year or two, wet plate photography is still quite an alien process to many photographers. More and more information about it pops up onto the web every day. What I’ve not seen, though, until now, is an entire start to finish video or article which details the entire process.

Thankfully, photographer Markus Hofstätter has done exactly that, in this video. So that you don’t miss out on any of the process, he shot the whole thing in 360° with his Insta360 camera for the complete surround experience. So, throw on your headsit, sit back, and have a watch.

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Photographer coloured a 100 year old glass plate portrait in Photoshop using neural networks

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There’s something special about shooting analogue black and white for me. It takes on a quality and a character you just don’t get with modern colour digital. Fortunately, now, we have a choice. So, if we want to shoot flawless colour, we can. A hundred years ago, there wasn’t so much choice.

We’ve featured Mathieu Stern before. He makes some great videos reviewing old lenses and offering tricks and tips. In his latest video, Mathieu shares some personal family history with us. A trip back through the generations to find a photograph of his great, great, great uncle, Mr Albert.

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