Do you follow the known rules of lighting when creating photography and videos? You can follow them, you can break them, but one thing is for sure – lighting is essential. In this video from NextWaveDV, you will get five (and more) tips for creating perfect cinematic lighting and making your video work more professional and truly fantastic.
It’s true that movie makers are using big gear which helps them get great results. But it is also true that a big portion of those results are not only attributed to gear, but also to matriculates planning and careful attention to details.
Filmmaker and youtuber Simon Cade made it a point to shoot with a Canon T3i and is still getting fantastic results? Why? Probably because he is shooting very cinematic footage and applying some very basic rules.
If you look at any of today’s high-end commercials you’d soon waive them off with ‘that was done in post’ kinda comment and or most you’d be right. But in this short flick cinematographer Matthew E. Rosen of underground logic shares 7 tips on shooting low budget / high-end look special effects.
Ever since the MoVI made it’s first appearance, we’ve seen many new players enter the market. From established companies like DJI to emerging Kickstarter campaigns. But this build by Oscar Liang takes small form factor and hack-from-scratch to an entirely new level.
The gimbal, which can work both hand held or on a drone, is made entirely from scrap wood and some metal brackets.
Today’s cameras are able to capture an enormousness amount of dynamic rage. Sadly our monitors and film projectors are not able to display the entire tone range that we can capture. This calls for a process called Tone Mapping. This process squeezes the larger, captured, tonal range into a smaller tonal range that the display is able to display. It is the same process that gives HDR its signature look. Of course if not done subtly, it can create a
chewed to death overwhelming effect.
When video comes into play, HDR tone mapping becomes even harder and can result in some interesting video artifacts such as ghosting, Brightness Flickering and camera noise.
The team at Disney Research (yes they do research as well) created a new algorithm that can better handle the tone mapping part of HDR processing.
The ability to create realistic depth in a photograph, a 2-dimensional plane, is the sign of a good photographer. When shooting stills or video, it’s an important detail to make sure your shots have depth. Sometimes, however, that is sometimes easier said than done. In the quick, 3-minute video clip below, cinematographer Matthew Rosen, covers his top 5 favorite ways to ensure his image aren’t falling flat. The video is geared towards cinematography and moving pictures, but many of the techniques can be transferred into still photography as well. Well worth a watch even if you never shoot video.[Read More…]
After sharing Roy Two Thousand’s Burning Man timelapse a couple weeks ago, I decided that I could probably cut back on my timelapse addiction for a while. After all, it would be pretty hard to top the slick camerawork of R2K. At least that’s what I thought at the time. Then I happened to come across this beauty, Into The Night, which was created by Barcelona based photographer/cinematographer, Jordi de Temple and explores both, Barcelona and California. Jordi throws in some low lying clouds, a little milky way action, sweet motion blurs, some fun tilt shift scenes, multiple holy grails for good measure, and some profoundly gorgeous and cinematic wipe transitions. Even the musical arrangement was spot on.
I know I said I was trying to avoid relapsing back into a timelapse hole, but…Wow. I would have felt guilty had I not shared this one with you all. Enjoy!
Thanks to Planet 5D for the heads up on this!
Disclaimer: if you have a weak wallet, then don’t read this.
Actually, in this case, all of our wallets are most likely crying in the corner, so it’s okay. Just appreciate the camera, I guess.
Panasonic took part in a press conference just yesterday in New Jersey, where it announced a new entry targeted towards the high-high-high end market of cinema. The 4K camera/video-recorder is titled the VariCam 35 (AU-VREC1), and it claims to be a powerhouse in handling a variety of formats.