Panasonic has now officially announced the new full-frame L mount mirrorless S1H camera. With 6K 3:2 24p video capabilities, 14+ stops of dynamic range, the camera is still technically in the development stages, but it is now definitely on the way. They’re hoping to release it in Autumn 2019, though, and is expected to have a price tag of around $4,000.
Panasonic is expected to announce a new full frame Lumix camera tomorrow. The name “S1S” had been thrown around, but it seems that it’ll actually be called the S1H, according to an early leak of the announcement and photos from French website Magazine Video.
Not too much has been released about its specs yet, except that it’ll shoot 6K 30fps and 4K DCI 60fps 10-bit video, feature V-Log/V-Gamut with a dynamic range of 14 stops, and that it will have no shooting time limit.
So here’s an interesting bit of news, if true. Panasonic is apparently getting ready to announce a new “Cine LUMIX” camera at the end of the month, according to a post on L-Rumors. There isn’t much information about it yet, or, well, any at all, really, except for rumours, but they have high confidence that they’re true.
I’m not a fan of western superhero franchises.
Yes I fully appreciate that I’m in the minority here and it’s certainly not my intention to turn you away in the first sentence, but rather to solidify the fact that this exploration of colour in cinema does not come from a fanboy solely driven by vapid, one dimensional characters and napkin narratives, but rather pure adoration of a masterwork in cinematography.
It was three years ago, in 2015 when Canon released the EOS C300 Mark II. It came with some pretty significant advantages over the original EOS C300 cinema camera. But it’s time to start thinking about another refresh. And that’s exactly what Canon Rumors says is happening in 2019. But that C300 Mark III refresh may include the option of an 8K sensor.
It probably isn’t what people were expecting when Canon recently announced they were focusing on mirrorless. And it almost certainly isn’t the camera recently rumoured to be out testing with pro photographers. But Canon has announced their first full frame mirrorless camera. The C700 FF cinema camera, that is.
Yeah, ok, so all cinema cameras are mirrorless, really, but this one contains a 5.9K, relatively huge (compared to Super 35mm) full frame 35mm sensor. It works with EF, PL and anamorphic lenses, and if you’re using Canon EF lenses, you even get Dual Pixel autofocus. Canon announced the new camera along with a 10 minute video going over its features.
Last year, Netflix announced that it had acquired the rights to the Ed Harris flick, Kodachrome. It details the journey of a man and his son racing to develop several rediscovered rolls of Kodachrome film before the last lab capable of doing it shuts down. Looking at the trailer, Ed Harris’ character is his usual cantankerous old self. A bit like the one he plays in Westworld, with a little Grumpy Old Men thrown in for good pleasure.
It’s not often that you see a small company challenge the likes of Zeiss. It’s even less common to see one actually beat them in comparative tests. But that’s exactly what Veydra have done in some new tests from the folks at LensRentals. For those unfamiliar with Veydra, it was only just over three years ago that they were seeking funding on Kickstarter for their new line of compact Micro Four Thirds cinema lenses.
The prices for Kickstarter backers were very low considering the quality people hoped for. Even now that they’re on general sale, they’re still substantially cheaper than Zeiss CP.2 series lenses. Now also available in Sony APS-C E Mount, these small, less expensive lenses seem to be the way for many video shooters to go.
For those who’ve never seen it, the YouTube channel Every Frame a Painting it’s run by Tony Zhou and Taylor Ramos. They dissect movies. But not in the way many other channels do. They talk more about the psychological, metaphorical, symbolic and emotional side of movies, rather than the technical.
It truly is a gem. I mean, to amass more than 1.3 million subscribers with only 28 videos, the majority of which each have over a million views, they must be doing something right. Right? We’ve even featured their videos here on DIYP in the past. Well, the channel’s been quiet for a while, and now they’re officially calling it quits.
I’m a sucker for old glass. Whether for stills or video, I’ve always been a big believer that the lens plays a massive part in getting “the film look”. It’s why I often shoot video and stills with old M42 and Nikon Ai-S lenses. Older glass just has character that modern lenses do not. Modern lenses are too perfect, too clinical.
In this video, DP Jody Eldred visits filmmaker Todd Fisher (brother of Carrie) to test out some of cinema’s most famous lenses. Or at least, lenses that shot some of its most famous movies, including The Godfather, The Shining and Casablanca. He tests each of them with a Blackmagic Ursa Mini Pro 4.6K, to see just how much of an effect each lens has on the image.