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Christopher Frost

Is Canon shooting themselves in the foot by blocking third party lens manufacturers?

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This is something I’ve been thinking about ever since word broke that Canon essentially ordered Viltrox to stop making autofocus RF mount lenses. In response, Viltrox didn’t just stop making autofocus RF mount lenses, but all RF mount products altogether. Samyang/Rokinon also seems to have faced a similar challenge from Canon last year when they pulled all of their autofocus RF mount lenses.

Is Canon potentially stifling their own growth amongst camera users by doing so, though? I think they probably are and I’m not the only one who thinks so. In a recent and rare opinion video, Christopher Frost made a number of good points about Canon’s potential place in the future mirrorless landscape and they align quite well with some of my own thoughts over the last few weeks.

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Watch this complete guide to Canon EOS M system lenses before they’re all killed off

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The timing of the release of this particular video from Christopher Frost is curious, but release it he has. It’s a complete guide to every EF-M lens made for the Canon EOS M system from brands such as Canon themselves, Sigma, Viltrox, Samyang and Laowa. The reason the timing is a little odd is that Canon seems to be preparing to completely kill off the EOS M system at any time.

The Canon EOS M6 Mark II has been discontinued, with no signs of a replacement and two new “RF-M” mount APS-C bodies are expected to be announced at some point soon – possibly on May 24th. But that might mean that the used market is about to get flooded with EOS M gear. So, maybe now is the perfect time to brush up on what lenses are out there for anybody looking for a potential bargain.

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Can you tell the difference between an $800 f/0.95 lens to an $8,000 f/0.95 lens?

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Super-fast lenses are also super-expensive, and you may wonder if it’s worth investing all that money in a single lens. Perhaps you could get away with a cheaper version, right? Christopher Frost compares two f/0.95 primes to answer your question. In this video, he shoots with an $8,000 Nikon Z 58mm f/0.95 “Noct” and an $800 Mitakon 50mm f/0.95 III to show you the difference between the two and help you decide whether or not you should invest in an extremely fast and expensive prime.

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16 10-stop neutral density filters go head to head for sharpness, colour and accuracy

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There are so many neutral density filter brands out there that it can be difficult to know which one to choose. The choice becomes even more difficult when you start to look at super strong ones claiming 10 stops of light stopping power. You hear all the time about softness issues, vignetting and colour casts. But which one is the best?

That’s what photographer Christopher Frost wanted to find out. So, he contacted a bunch of 10 stop filter manufacturers to do a straight up side-by-side comparison between them all to see how they stand up.

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Yongnuo’s new 50mm f/1.4 lens keeps up with Canon at less than 2/3rds the price

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Yongnuo has been coming pretty thick and fast with lenses over the last couple of years. Sure, they’re generally copies of somebody else’s lens, but they’re cheap and, for the most part, seem to perform fairly well considering the price. Announced last month, the Yongnuo 50mm f/1.4, though, looks to be of their own design.

The first review of the new lens has now been posted to YouTube by Christopher Frost, and it appears to be pretty favourable. It not only keeps up, for the most part, with Canon’s 65% more expensive 50mm f/1.4 USM, but it even seems to beat it in some aspects.

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This is why you absolutely need a polarising filter

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Filters have largely gone the way of the dinosaur with digital photography. Lens filters, that is. The simple fact of the matter is that they’re just not needed now. We used to need a whole array of filters when we shot film. Solid colours to shift the contrast on black & white film. Variously coloured graduated filters to shift skies warmer. Now, you can do all that in post.

Colour shifts and gradients are pretty straightforward in Lightroom or Photoshop. But one filter that’s still essential is a circular polarising filter. It allows you to do things that are simply impossible in post, even with today’s digital technology. This video from photographer Christopher Frost explains why, with some practical examples.

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