Super-fast lenses are also super-expensive, and you may wonder if it’s worth investing all that money in a single lens. Perhaps you could get away with a cheaper version, right? Christopher Frost compares two f/0.95 primes to answer your question. In this video, he shoots with an $8,000 Nikon Z 58mm f/0.95 “Noct” and an $800 Mitakon 50mm f/0.95 III to show you the difference between the two and help you decide whether or not you should invest in an extremely fast and expensive prime.
There are so many neutral density filter brands out there that it can be difficult to know which one to choose. The choice becomes even more difficult when you start to look at super strong ones claiming 10 stops of light stopping power. You hear all the time about softness issues, vignetting and colour casts. But which one is the best?
That’s what photographer Christopher Frost wanted to find out. So, he contacted a bunch of 10 stop filter manufacturers to do a straight up side-by-side comparison between them all to see how they stand up.
Yongnuo has been coming pretty thick and fast with lenses over the last couple of years. Sure, they’re generally copies of somebody else’s lens, but they’re cheap and, for the most part, seem to perform fairly well considering the price. Announced last month, the Yongnuo 50mm f/1.4, though, looks to be of their own design.
The first review of the new lens has now been posted to YouTube by Christopher Frost, and it appears to be pretty favourable. It not only keeps up, for the most part, with Canon’s 65% more expensive 50mm f/1.4 USM, but it even seems to beat it in some aspects.
Filters have largely gone the way of the dinosaur with digital photography. Lens filters, that is. The simple fact of the matter is that they’re just not needed now. We used to need a whole array of filters when we shot film. Solid colours to shift the contrast on black & white film. Variously coloured graduated filters to shift skies warmer. Now, you can do all that in post.
Colour shifts and gradients are pretty straightforward in Lightroom or Photoshop. But one filter that’s still essential is a circular polarising filter. It allows you to do things that are simply impossible in post, even with today’s digital technology. This video from photographer Christopher Frost explains why, with some practical examples.