Think of the time when you were a kid and had your favorite toys. Remember how happy you were to have them and proud to show them off? Italian photographer Gabriele Galimberti has traveled the world photographing kids and their most prized possessions: their favorite toys. In this photo series, he brings you stories of kids and their toys from more than 50 countries.
“There is work that profits children, and there is work that brings profit only to employers. The object of employing children is not to train them, but to get high profits from their work” – Lewis Wickes Hine (1874-1940)
Lewis Wickes Hine was an American sociologist and photographer, whose work was instrumental in changing child labour laws in the United States.
Hine is my favourite photographer. Aside from being technically excellent, his black and white photographs are some of the most important ever taken. His record of the first half of the 20th century is a unique glimpse into the real lives of working class America, and his work for the National Child Labor Committee (NCLC) was instrumental in bringing about change for the nation’s children.
We’ve featured the heart-warming, beautiful projects of The heART Project before. This time, 12 photographers came together to create a wonderful photo storybook, The Get Well Tree. It contains 14 photos that look like they came straight out of a fairy tale. But the main characters are real-life girls, two little heroes.
Evie Gleeson (5) and Indy Dawes (4) met two and a half years ago in a hospital where they were undergoing childhood cancer treatment. Over this time, they became close friends, and they both managed to fight the illness. Now they want to encourage other sick children through their story. So, they posed for the photos that became a part of the Get Well Tree book. We share these amazing photos with you, together with the video and the story.
Recently I got to speak to Gilmar Smith. I have been following Gilmar’s work online for a while now and I love it. I wanted to share with you all the creativity and imagination she brings to her images. Gilmar describes herself as a self-taught photographer, Photoshop addict and a social media junkie specializing in Creative Portraiture and composites, based in Orlando, Florida.
She is a single mother of two amazing kids who are her major source of inspiration. [Read More…]
It was one of those moments when two articles collided in my day and struck a chord. The first was JP Danko’s here, on whether or not it’s ethical to use photos of your children for stock. The second was by Lucy Dunn, on The Pool, where she raises the question of ‘over-sharenting’. (Sharenting, for anyone who hasn’t yet encountered this hideous portmanteau, is the tendency to share your parenting experiences on social media, from potty-training successes to supermarket meltdowns.) In particular, Dunn is concerned about how little guidance exists for parents who are navigating the social media seas themselves.
They say never work with children or animals. The children bit I completely agree with, but I find animals to be an absolute pleasure to work with. Not everybody’s used to working with animals (or kids), though, either on camera or off. Whether you’re shooting video or stills, they can be challenging.
To help overcome some of those challenges, Cooper Films have put this video together with four tips for working with kids and animals on set. The video does aim more toward video shooters. The reasons why, as a photographer, you might have a child or animal in front of your camera may be different. But, the potential issues are very much the same.
Did you read Instagram’s Terms and Conditions carefully before signing up? Be honest. If you didn’t do it, I won’t judge. The sentences are so complicated, that I’m not sure any of us read them with full attention and understanding.
Now, imagine children who use Instagram. More than a half of teenagers and almost a half of 8 to 11-year-olds in Great Britain are active on this social network. Did they read the Terms and Conditions? I highly doubt it. And the report by the UK Children’s Commissioner confirms my doubts. You can’t blame the children though, because they don’t understand these complex sentences and legal discourse.
Because of this, a lawyer Jenny Afia did us all a favor and rewrote Instagram’s Terms and Conditions so that the kids can understand them. And even us grown-ups will find it helpful.
On those short winter days when the roads are covered in snow, I take photos of my kids and their cousins to preserve the magic of this wonderful season. Both indoors and outdoors, during short days and long winter evenings, I capture the feeling of anticipation and nostalgia. With those photos I try to recall the feelings I used to have in my heart when I was a child and try to make others remember the magic of Christmas too.
My models are my two sons and my two nieces. My inspiration for those photos are animated movies, story books for children and life – watching kids as they play and memories from my own childhood. Although I take photos all year winter time has a special place in my heart with its special kind of magic.
I primarily photograph people, but children are a subject I’ve generally stayed well clear of. I have nothing against them, and apparently I used to be one (my wife says I still am), but when it comes to photographing them, it just really doesn’t appeal to me.
If you’re a parent, on the other hand, your children may be your most photographed subject, and something you actively enjoy. In this video, photographer Karl Taylor is going to give you some tips and tricks to help you get the best shots you can of your kids.
Leaving behind his former career as a lawyer, Jonathan Diaz has taken the initiative to give back to his community using his photography skills. The Utah based photographer is making the dreams of children come to life in his inspiring project, Anything Can Be.
After taking the time to get to know pediatric cancer patients and unleashing their imagination, Diaz sets up a photoshoot for each of the youth. The photoshoots take place in various locations, depending on what the ‘dream’ is. Once all the photos are taken, Diaz heads into the digital darkroom where he composites in some of the magical finer details.
Having already worked with 21 awesome children, the collection of portraits has now become a book, True Heroes: A Treasury of Modern-day Fairy Tales. Asides from featuring Diaz’s photography, the book also contains original short stories from various best selling authors, all which were based on the children and the stories they tell through their portraits.
Here’s a sampling from the collection of the photographs for you enjoy. You can also check out the Anything Can Be website. Or, to learn more about Diaz’s work, you can visit his website, Jonathan Diaz.