Earlier this year I wrote what I felt was quite a personal article about what it is like to be a colourblind photographer. In the coming weeks and months after writing and publishing it (and having it widely re-shared across some very big photography blogs) I had contact with so many other colourblind photographers who reached out to me to thank me for putting into words something many of us struggle to explain to others. One particular email was from a mother whose young son is also colourblind thanking me for giving her hope and opening up her eyes to not treating it as a physical disability. But on the flip side to the incredible conversations that I had with people who either understood what I was explaining, or who knew someone who was colourblind, there were also several rather negative conversations and comments from the typical anonymous trolls urging me to quit photography, or questioning my ability to be able to sell my work or offer the professional workshops I do.
A few weeks ago, a model friend of mine, Rachelle Kathleen, and I were planning to meet for a fun little photo shoot. Instead of searching out the usual beautiful locations around where we live, I had the idea to do just the opposite. I wanted to go somewhere “ugly” by all conventional photography standards, and then see what we could do with it, and Lowe’s seemed like the perfect option.
Getting stuck in a creative rut has happened to us all. It’s frustrating and it sometimes looks like it will never end. Fortunately, there are ways to make yourself inspired and start creating and enjoying the process again. Rachel and Daniel from Mango Street propose one of the ways in their latest video: restrain yourself.
It may sound contradictory: you already feel restrained, and now you need to add even more limitations. But, the truth is that this can push your creativity forward and actually make you more creative. Have a look how Daniel and Rachel applied this method.
Like every other genre, landscape photography has plenty of challenges. In this video, photographer Toma Bonciu shares three challenges specific for landscape photography – yet we may not think about them. While we worry about the gear, places to visit and the techniques we’ll use, there are a few other very important things to think about. Toma points out to them, and these are definitely the challenges you need to overcome if we want to devote yourself to landscape photography.
Initiation rituals and hazing the new guys at work is a pretty common experience. Sometimes it’s simply a practical joke to see how gullible they are. For larger organisations with a new wave of interns, trainees and hopefuls, it’s a challenge with your noobie peers. And these traditions happen the world over.
Broadcasting & media production company, VS Services, based in Bangkok, Thailand put their newest interns to task in this video. What they describe as being the “first test”, they are to assemble C-Stands with a flag. You can tell that some are a little more used to this than others in this clip posted to Facebook.
The original Dogwood Photography 52 Week Challenge was a huge success, with tens of thousands of photographers participating from around the world. In celebration of those who have completed the first challenge, a new challenge is now here!
The challenge for 2017 has a higher difficulty level than the original challenge. While this challenge is a follow on to the original challenge here, it is also suitable to be completed as a stand alone challenge. There is no specific start date for this challenge. Each photographer is on their own journey, and only competing with themselves from week to week. If you wish to form a challenge group and compete with each other based on this list you are welcome to do so! If you form a challenge group drop me an invite I would love to watch the progress.
What happens when you give a pro photographer a Hassleblad 503cx, a single roll of 120 film, and mission to tell the story of Tokyo in just 12 analog frames? Find out in this 18-minute behind the scenes look at the challenge where Mattias Westfalk, Bahag, Yoshiki Suzuki, and Paul del Rosario almost make it look easy. (It’s actually really difficult.)
The project may not sound like much of a challenge, as Westfalk points out in the opening scene, anyone can go out and shoot 12 frames, but to create 12 images worthy of printing is no walk in the park. The ease of digital photography and image storage allows us to fire off as many images as we like until we are happy with what we have, but ask any film photographer about their process, and chances are you’ll hear quite a different approach. Getting 12 usable photos from 12 frames of film takes patience, understanding, and a little talent and skill never hurt anyone, either.[Read More…]