The eyes are the window to one’s soul. What truly brings out the eyes in your portraits is a small, yet important detail: catchlights. In this short but very informative video, Joe Edelman takes you through the basics of catchlights – the psychology and science behind them, their importance, as well as plenty of useful tips to get them right and make the best out of your portraits.
If you are searching for one reflector to rule them all, this may be the one. Westcott has introduced the new Omega Reflector 360, which can be used in a number of situations. You can use it as a traditional or a shoot-through reflector, with natural or strobe light, and with four different covers and a diffuser. When you only have a single light source, this reflector can really come in handy.
Guest post by Robert Mitchell. Hit the bottom of the post to see his links.
When assembling a lighting kit, it’s very difficult to know which modifiers are best for the type of work you want to do, and sometimes you don’t know or are discovering what you want to shoot. There are reflectors, umbrellas, square and rectangular softboxes, octabanks and a wide variety of accessories to shape and alter the quality of light.
So how do you know what’s best for you?
In many cases you don’t. If you have no experience then you don’t have any preferences formed and most of the tech talk is of no use to you and makes little sense. One person’s preference may not at all be what you like and it may not work within your budget.
I’ve chosen 7 common light modifiers of varying sizes and shapes, and I’m using modifiers that are , for the most part, inexpensive. Nothing very small and nothing terribly large. This is not an in-depth review, nor is it a light modifier showdown.