For most stills photographers, the only measure of exposure that many of us see (besides the camera’s built-in reflective meter) is the histogram; essentially a graph which covers the amount of each of the different brightness levels in your image. Although many photographers making the move to video might feel more comfortable shooting with a live histogram, they’re not the only ways to judge exposure. Nor necessarily even the best.
In this video, Casey Faris walks us through the three main scopes available in DaVinci Resolve. The waveform, the RGB parade, and the vectorscope. These scopes are also built into many video cameras and external monitors now, too. Once you learn how to read them, you’ll be able to get exactly the exposure & colour you want.