For me, Formula 1 is the most exciting sport to follow, and one of the very few I like watching. And if you’ve been wondering what it’s like behind the scenes, Australian F1 photographer Kym Illman will tell you all about it. He’s one of just a few dozen “permanently accredited” F1 photographers, and in this video, he will tell you how everything works in this job.
Do you like watching Formula 1 races? I find them really exciting, and as you can imagine – it’s also exciting to photograph them. In this short but fantastic video, Formula 1 shows some love for amazing, dedicated photographers who capture the thrilling moments of races all over the world.
I don’t know about you, but I always find it fascinating to see current events shot on old cameras. Whether it’s stills or motion, it’s an interesting insight into how differently it sees the world differently compared to the cameras of today. And on April 20th, 2019, Nick Shirrell saw the world differently when he shot a car race through the viewfinder of a Canon 1218 Super 8 camera from 1968.
Photographing a Porsche is a special experience for me, as I am a racing fan, and Porsche is racing. They are the essence of speed on the curving tracks they have graced around the world, and on a photoshoot they are just as incredible sitting still. It is for this and many other reasons that I count myself lucky to stand behind the camera while photographing the art pieces that are Porsche race cars.
Today I wanted to show some that you may have seen before, as well as some that have not been shown until now. Each car is unique in its pedigree and history, but all share the common trait of being absolutely stunning in front of the camera. While there are many that can go into great detail about every turn these cars have taken, I cannot, but I can describe what it was like to photograph them.
You may remember Hungarian photographer Lampert Benedek and his fun LEGO photo series. While heavy snow is covering my hometown, I noticed Lampert’s image of a car caught in a snow blizzard. But seeing a BTS image made me realize: it’s not really a car, and it’s not even real snow!
Lampert makes some awesome photos of fast cars, but he uses toys, practical effects, and some clever ideas to make them look real. I chatted with him a bit about how he does it, and he shares some tricks for making these images.
“I Bloom For You” is another one of the artworks in series “I Found The Silence”. The idea was created in June 2018, followed by 3 months of planning. The main inspiration was to escape beyond the limits of everyday existence, somewhere where a man can be himself. Escape to a place, where we meet ourselves in the purest way possible.
On the photograph, as well as the whole series, appear elements of nature. On this particular artwork, it is the flowing river of flowers as the symbolism of freedom. Our own liberation, that should never be taken from us. In times the society we are living in, is constantly trying to hold us back, criticize and limit us. We are judging individuals by our own tied up rules.
A recent video from Sno*Drift rally shows why you should never, ever stand outside of a corner while a race is active. On Friday, Photographer G David LeClair was hit by a racing car while standing outside of a corner during the race. On Special Stage 2 of the rally, one of the racers lost control over his car. The car started sliding on the icy road and hit the photographer.
Since there were spectators with their phones and cameras, the accident was recorded. Keep in mind that these videos show the moment when the photographer was hit, so viewer discretion is advised.
For those of us who grew up in the 80s, scenes like those above were pretty common to our TV screens. The Dukes of Hazzard, The A-Team, Knight Rider, and countless other shows would deliver us 30 minute chunks of the most amazing vehicular acrobatics we’d ever seen. These days, it would probably done with CGI, but there was something about those practical effects that makes them stand out.
One photographer not going the CG route is Felix Hernández. He’s proving that these same images can still be acquired practically. Although, it might not be the way you’d first think. Instead of full size vehicles, these images were created in the studio with miniatures. For those who follow Felix’s work, this probably doesn’t come as much surprise. Felix is a master of making the miniature look and feel real.
7 years ago, I received a little replica of an iconic Volkswagen minivan from my parents and it was love at first sight for the young 60’s obsessed teenager I was. It stood on my shelf for quite some years, but on a sunny Sunday of May, I took it out to the garden and took pictures of it.
I shared an image of that van with a Paddington bear, and the feedback on Instagram was really positive, so now, for the last 5 years, I continued taking that minivan and a lot of new cars everywhere I would travel.