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Build this DIY fully stabilised DJI RS2 camera mount rig for under $500

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If there’s one thing that many of us would love to be able to do, it’s attaching a fully stabilised gimbal camera to a vehicle. It lets you get shots that would otherwise be impossible. But such a task is not cheap. Commercial rigs cost $20,000 or more and that doesn’t even include the cost of the actual gimbal.

Bestboy Adam, though, has come up with a pretty neat DIY solution in this video that you can put together yourself for as little as $500, including the gimbal, using a mix of items from various manufacturers to which you can attach your DJI RS2 gimbal (or probably any, with the right brackets) to get that nice clean stabilised driving footage.

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Test show that an airbag will smash your camera into your face rather than protect you

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Filming from moving vehicles has been happening for as long as movies and vehicles have existed. But with the rise of movies such as the Fast & Furious series, it’s becoming more common. Not just in Hollywood, but amongst new filmmakers and even vloggers. And if they’re using something larger than a phone, they’ll usually have a second person in the passenger seat filming.

But what happens to the passenger in the event of a crash when the airbag is deployed? That was the question asked by the International Alliance of Theatrical Stage Employees (IATSE). It was put to the test and answered by Dr Cynthia Bir at the University of Southern California, and the results are pretty devastating. It’s not just the camera guy that’s put at huge risk, but the driver, too.

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Can this vehicle with a built-in drone be the car for photojournalists of the future?

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Photojournalists go through many dangerous situations during their career. Have you ever wondered how this could be changed? Dillon Kane has, so he designed a car of the future – a concept created especially for photojournalists. He submitted his design to Magna International’s “Main Event” design competition, and won the first place.

His concept is called “30 Degrees West”, and it shows his vision of a car for 2030. It’s a car for photojournalists to drive and capture whatever they need to capture. Dillon showed a lot of creativity, and his concept really has some interesting features. He shared his vision and idea behind the project with DIYP.

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