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Comparing the Canon EOS R, EOS RP, EOS R5 and EOS R6 head-to-head for portraits

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Canon’s full-frame lineup has proven to be very popular ever since it was initially introduced. So far, they’ve released four full-frame mirrorless bodies with the RF mount, but how do they all stack up against each other? Are the new EOS R5 and EOS R6 really that much better than the earlier bodies?

In this video, Irene Rudnyk puts the Canon EOS RP ($999), EOS R ($1,799), EOS R6 ($2,499) and EOS R5 ($3,899) up against each other to see how well they handle when shooting portraits.  As well as seeing how well it renders colours and AF performance and accuracy, Irene also looks at the technical specs and benefits each camera has over the other.

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Kolari Vision’s new clip-in filters for the EOS R5 & R6 live between your lens and sensor

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Kolari Vision has announced a new set of clip-in magnetic filters for the Canon EOS R5. They mount inside the camera body in front of the sensor but behind the lens. It’s compatible with native RF mount lenses or when using the EF to RF adapter. Kolari initially announced the clip-in filter system for the EOS R system last September.

Now, though, it’s finally here. There are two types of filters available. One fits the EOS R, R5 and R6. The other is for the EOS RP. Both are available in various flavours, designed to work with cameras converted to full-spectrum (seeing both IR and UV, as well as visible light). The filters allow you to cut the range back down to see just the wavelengths you want.

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Canon just teased a major upcoming autofocus firmware for the EOS R and EOS RP cameras

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Canon has shown off a pretty major upcoming firmware update for the Canon EOS R and EOS RP cameras to enhance their autofocus capabilities. Specifically, the update seems to deal with the speed and accuracy of Eye AF and object tracking.

A video demo posted to YouTube by Canon shows side-by-side comparisons of the current firmware vs the new one, which should be arriving in September.

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Canon announces RF 24-240mm f/4-6.3 IS USM for the Canon EOS RP camera

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It seems that Canon is really on fire today with the announcements. Along with the PowerShot G7 X Mark III and the G5 X Mark II, the company is also announcing the Canon RF 24-240mm f/4-6.3 IS USM lens. If you’ve already bought the Canon EOS RP full frame camera, this lens could be a pretty neat addition to your kit.

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Canon patents new triple hybrid image stabilisation system for shooting low-light video

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Canon saw a lot of backlash from consumers after it announced the new EOS R and EOS RP mirrorless cameras. Why? Well. amongst other reasons, because they didn’t have any kind of in-body image stabilisation. While Canon has many IS lenses for the EF mount, which are compatible with their mirrorless cameras through the use of an adapter, this just wasn’t enough.

Next came the announcement that future Canon RF mount bodies would have IS, but now it looks like they’re going a little overboard. A new patent published last week shows that Canon isn’t happy with the standard dual-hybrid stabilisation most systems use. Oh no, they’re developing a triple stabilisation system.

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Canon will now de-click your RF lens control rings for only $79.99

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Canon is now offering to de-click your RF lens control rings for 80 bucks. What they’re referring to as the “Clicking Sound Modification Service” allows a user to send in their lens to have the click either removed or added back in.

The click of the control ring, canon says, “allows the user to have a sense of how much it is being turned”. But it isn’t always useful. If you’re shooting video, for example, the sound of that control ring may be recorded in your footage.

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The Sony A7III is outselling its four closest mirrorless competitors combined in Japan

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The latest data from BCN retail shows some interesting results of how the mirrorless market is looking lately in Japan. The image above shows sales volume for the top 5 selling full-frame mirrorless cameras in Japan through March and early April, with the Sony A7III growing in popularity against its suffering competition. The Canon EOS R, Canon EOS RP, Nikon Z6, and the A7III’s older sibling, the Sony A7II.

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Left-eyed shooters are apparently upset with Canon over the EOS RP

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I’m a left-eyed shooter. I’ve just come to accept the fact that my LCD screen’s (assuming digital) gonna get covered in nose sweat and other crap when I shoot. It’s a pain, but I’ve dealt with it for 20 years, and I’ll just keep on dealing with it. One thing I haven’t had to deal with so far, though, is a camera with a touchscreen LCD.

Photographer and YouTuber, Michael Andrew has strong feelings about it, though. He feels that left-eyed shooters are hindered by touchscreen issues when shooting the Canon EOS RP, causing it to throw off your autofocus point and miss a lot of shots. But it’s not just the EOS RP he has a problem with. He’s also seen this issue with the EOS R, EOS M50 and the Sony A6400.

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Dismantling the new Canon EOS RP in this extreme teardown

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I’d think most people were pleasantly surprised with the release of the EOS RP. Full-frame mirrorless cameras were getting increasingly sophisticated, which is a good thing, but they were getting increasingly expensive along the way. After all, it’s the enthusiast and prosumer crowd that wants mirrorless cameras more than anyone else.

Top tier professional photographers are still largely sticking with traditional DSLRs, for now. The only full-frame mirrorless options for that growing crowd of serious but not seriously paid photographers were the now-5-year-old (time is really flying) Sony A7 II or the even older and clunkier A7. Anything with current tech would run you $2,000 minimum, namely the A7 III. I’m not saying this camera wasn’t an absolute steal considering what it can do, but $2,000 is still a lot of money for most people who do not shoot full-time for a living and leaves little room for modern, mount-native glass. If only there was something to fill that gap.

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