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ILM used a Canon 5D III and Nikon 28mm lens to shoot space scenes for The Mandalorian

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It’s funny how a company can use both the latest insane bleeding-edge tech as well as gear that’s deemed “obsolete” by the masses in order to produce one of the most popular TV shows to ever grace our screens. But that’s exactly what Disney did for The Mandalorian – New season begins tomorrow!

Although much of The Mandalorian, and particularly the space scenes, were created using some pretty next-level CG, a number of scenes for the new series in the show were actually shot using the Canon EOS 5D Mark III DSLR… With a $500 Nikon 28mm f/2.8 manual focus lens.

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Canon’s CE-SAT-IB imaging satellite “destroyed” during rocket launch

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It seems that Canon’s CE-SAT-1B camera satellite was not meant to be. The BBC reports that Electron, the rocket launched by American company Rocket Lab, failed in its late ascent and that all satellite payloads are “assumed to have been destroyed” which includes Canon’s new imaging satellite

The CE-SAT-1B satellite was the one we told you about a couple of weeks ago that, for some reason, was loaded with a Canon 5D Mark III and a PowerShot S110. It was a small satellite, measuring only 50x50x70cm, but would offer a 1-metre ground resolution view of the earth’s surface from 600km above its surface.

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Canon is launching a satellite, but why are they sending it up with a 5D Mark III?

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Canon is launching a satellite. It’s the CE-SAT 1B (Canon Electric Satellite 1B). It’s an experimental Earth observing microsatellite developed and built by Canon Electronics. The satellite is quite small, measuring only 50x50x70cm and it’s based on the Hodoyoshi-1 satellite, launched in 2014.

Canon sent the original CE-SAT 1 into space in 2017, so the idea is nothing new, but this time we’re hearing about the cameras that are going to be included on the satellite. And strangely, it’s the Canon 5D Mark III and (even more strangely) the Canon PowerShot S110. It seems like an odd combination when Canon’s about to make a big splash with the EOS R5.

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3D photos taken with a $20,000 DSLR rig, go head to head with a $300 film era setup

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3D GIFs used to be rare finds back when Tumblr was still relevant. But ever since Mura Masa used 3D photos in his 2016 What If I Go? music video, they were suddenly everywhere. The technique is so popular now that people even call it the “Mura Masa” effect. The secret behind these hypnotic images is the Nishika N8000 stereo camera. It has four lenses that shoot the same scene all at the same time to create the 3D magic. In their latest video, Mango Street’s Daniel and Rachel wanted to see if they can recreate the effect digitally. So will analog trump digital in their little experiment? Let’s take a look and see which medium wins.

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What is the best full frame camera under $2,000? 5DIII vs 6DII vs A7II

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Making the decision to go full frame is an easy one for some people. Full frame cameras offer a shallower depth of field for a given aperture & field of view combination. They also tend to be the cameras with the best high ISO performance. But most people don’t have an unlimited budget. So, what’s the best full frame DSLR under $2,000?

That’s what Jay P Morgan wanted to figure out when he put the venerable Canon 5D Mark III up against the Sony A7II and the shiny new Canon 6D Mark II. Rather than just bleat on about specs, this video is a look at how the cameras compare in the real world, and how each affects the final result. Note that the 5DIII is technically over $2K, but they can be found used for much less.

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Magic Lantern adds 4k raw video to Canon 5D Mark III

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The Magic Lantern team made an announcement that they added 4Kraw video recording to Canon EOS 5D Mark III. Since the news was released on April 1st, it left us all wondering – can this be true? And a few days later, we realize that it apparently can. It’s still an early concept with some of its quirks, but it works and achieves what seemed impossible to achieve.

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Shooting a 300MP photo of a Hotrod – full frame digital vs large format film

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Recently, I was tasked with shooting a hotrod. It was exciting from the beginning, because these kinds of cars are pretty rare here. The owner also wanted his dog sitting on the fender. When you hear that (from a photographer’s point of view), it does not sound that difficult to do. But the picture also has to be huge – 100 megapixel are too few.

Three times of that is the minimum requirement for the print. A digital medium format camera gives you 100 Megapixel, maximum 200 in one shot. These are not that easy to rent and they are very expensive too.

My solution was to do a stitched panorama digitally with Canon 5D mkIII, Canon 100mm Macro and the Nodal ninja. Additionally, I shot with my large format camera, a Linhof Mastertechnika with a Kodak Portra 160 VC sheet film.

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Has the White House photographer ditched DSLR in favor of Sony’s mirrorless a7R II?

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Many oohs and ahhs were heard when Sony announced the a7R II, and it turns out that one of the camera’s new users is none other than the Chief Official White House photographer Pete Souza.

The EXIF data belonging to the latest photo uploaded to the official White House Flickr account, one of President Obama on the phone with Cuban President Raul Castro, was taken just under three weeks ago and shows Souza’s got a new camera.

Along with the mirrorless a7R II, Souza used a Sony Sonnar T* FE 55mm f/1.8 ZA lens.

So is September 2015 to be remembered as the time the White House left DSLRs behind and switched to mirrorless?

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