If you ever have the need to record your camera monitor or EVF, you need an external monitor. Or do you? In this video, Manny Ortiz shares a helpful hack that lets you film your camera screen for $0, without any additional gear other than your phone.
When I saw the first reviews of the Osee 4k UltraHD monitors, I was impressed. I really wanted to get a unit and see if the price tag (more than Lilliputs and Feelworlds, less than Atomos) made sense. It had a lot to offer, at least on paper: 3000 NITS, both HDMI and SDI pass-through loops, and an IPS panel. We got a G7 kit and used it for a month. Our tl;dr – it’s awesome; for a full breakdown, hit the jump.
Atomos first announced their Neon Series production monitors almost 18 months ago. They were announced at Cine Gear 2019 and were true 10-Bit display. Not only were they monitors, but they were recorders, too, which at the time potentially offered 8K resolution 60p in 12-Bit ProRes RAW. Although right now, they offer 4K DCI 60p.
We’ve not really heard much about them since then, but now, Atomos has announced that the official launch of the Neon 17 and Neon 24 displays, with shipping beginning this month. These are just the first two models in the series, and we’ve heard nothing of the 32″ and 55″ models yet, but it’s a start.
Just about all cameras come with a built-in EVF, so why would you spend thousands of dollars on a Zacuto Gratical HD EVF?
Well, not all EVF’s are created equal. Also, not all cameras are created equal when it comes to monitoring options. Here are some examples. The resolution and quality of built-in EVFs on cameras vary hugely. You may get a camera that is amazing, but its EVF is not the best. You may then also get a camera that has an amazing EVF, but the camera may be missing features. When it comes to the EVF, here are some of the features that could be missing in-camera, but the Gratical adds:
At Cine Gear 2019, Atomos announced a new line of monitoring and recording displays. The new line is called Neon, and they’re all true 10-bit displays. The Neons range in size from a full HD model at 17″ to 4K DCI on the 24″ and 31″ sizes, with 4K UHD on the 55″.
By default, these Neon monitors will come with a 4K master control unit, similar to that found in the likes of the Shogun 7. But a new 8K master control unit will soon be available, turning any Neon screen into an 8K resolution recorder, capable of recording at 60 frames per second.
I’ll be honest. I’d never heard of Hollyland when they reached out to me and asked if I could have a look at their Mars 300 wireless video transmitter (Amazon | B&H). Will I be keeping my eye out for more stuff from them after having tried read? Read on to find out.
The Mars 300 is a new entry-level wireless video transmitter. So why would you need or use one of these?
Well, there are a few different use cases for wireless video transmitters.
Feelworld’s range of entry-level monitors have become quite popular over the last couple of years. Although they don’t offer all the bells and whistles we might find on monitors from Aputure and SmallHD, they’re plenty good enough for many hybrid shooters and specific use cases where those bells and whistles might be overkill.
The Feelworld F6 has been a very popular monitor, but Feelworld was showing off a new F6 Plus at NAB 2019, so we spoke with them to take a closer look and find out more.