I believe we’ve all heard that “gear doesn’t matter” so many times before. And indeed, you don’t need super-fancy gear for filmmaking. However, there is some gear you actually need and can’t go without. So, in this video, Ted Sim teamed up with Caleb Pike to tell you more about it. They list nine things you actually need if you’re gonna be a filmmaker, and give you some tips how to get them without spending a fortune.
At one point, V-Mount batteries weren’t very common outside of high-end production. These days, though, they’re starting to become much more prolific as the devices that utilise them are becoming more affordable. But V-Mount batteries can be pretty expensive, which puts a lot of newcomers off even considering them. But should you?
In this video, Caleb Pike goes over just about everything there is to know about V-Mount batteries. He talks about the devices he uses them with, the various adapters available, powering multiple devices from a single battery, and even touches on battery capacity limits for flights.
Double exposures have been found in the world of stills photography since the first time a photographer said “crap, I forgot to advance the film, oh, wait a minute, that looks pretty cool”. Although the technique today is often done in post, the same basic principles hold true. But did you know you can do it with video, too? Let Caleb Pike show you how.
If you’re looking for a super-cheap RGB setup for your photos and videos, here’s an interesting video for you. Caleb Pike of DSLR Video Shooter has found a set of DJ lights for only $15 per piece. They produce a wide range of colors, they’re dimmable and you can also use a controller to set the colors and the brightness. Check out the video to see them in action.
I remember when LED lights first started to become a real thing for video a little over a decade ago. They weren’t even close to full spectrum, would introduce all sorts of colour casts, were huge, dim and had price tags starting in the thousands.
Since then, though, LED technology has come a long way and the prices have dropped dramatically. How dramatically? Well, in this video from Caleb Pike, we see a 2-light LED lighting kit for video, including a softbox, that costs less than $100.
So, you got yourself a brand new camera. Congratulations! I’m sure you’re anxious to go out and shoot with it, but there are some things you should do first, in order to make the best out of your new toy. Caleb Pike of DSLR Video Shooter gives you a list of ten things he does before shooting with a new camera, and they’ll help you make all future shoots successful and more efficient.
Charging for video work, especially when you’re quite new to dealing with clients, can often be quite difficult. You don’t want to quote ridiculously high and scare off the potential client. But you also don’t want to quote far too low and risk not being taken seriously. Or, worse, them accepting it and you making no money for your time and effort.
So, how much should you charge? In this video, Caleb Pike chats with producer and director Corbyn Tyson about how to price up and quote for a video shoot. Now, every client’s needs will be different, and you’ll need to adapt this to your own workflow, but it should give you some idea of where to start with even modest projects.
With more DSLR and mirrorless owners turning to video, the topic of camera monitors comes up fairly frequently. As a result, there’s a lot of choice out there now when it comes to camera monitors. They come with a whole host of different features, too. Some of those features are more beneficial to certain types of filmmaker while they may be overkill for others.
But which is the best? In this video, Caleb Pike at DSLR Video Shooter takes a look at four popular 5″ monitors ranging from $179 to $499 to see how they stack up against each other.