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The BBC’s 2022 Winter Olympics commercial shows off amazing 3D printed stop motion animation

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Whenever the Olympics come around, the BBC always comes up with some fantastic promotional sequences for it – you know, just in case a single person in the UK forgot that the BBC was going to be covering the Olympics. Fortunately, The BBC’s Olympics coverage usually looks pretty good and often seems to be a testbed for new filmmaking tech, techniques and ideas.

This particular one is a technique we’ve actually featured here on DIYP before, stop motion animation using 3D printed models. While there is some CGI in this one from the BBC’s Olympics coverage, there are several sequences that were created by stop motion animation and 3D printed models of athletes doing their thing on the ice and snow.

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The must have tool for color addicts – the Rosco MixBook

Color.  Such an important tool to help bring a time, place, or even emotions into an image.  Wouldn’t it be nice to have something that makes working with color easier? Inside this little package is a new tool by Rosco called “Mixbook“. To help creators pre-visualize gel and LED colors.

Essentially Rosco has digitized the old gel swatch books, as you can see in my reenactment of a Rosco scientist at work. Note the old gels from my swatch book flying around as the new Mixbook arises from the smokey pot.

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This is how special effects artists made the muscle and “fat” suits for Bill & Ted Face the Music

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Many of us will remember the original adventures of Ted Theodore Logan and Bill S. Preston Esq., and their long-awaited third movie was finally released last month. There was quite a bit of makeup and effects for certain parts of the movie, though, as… well, this post will likely contain spoilers so I’ll save it for after the jump.

But this 9-minute behind the scenes look goes through the process of how special effects artists like Kevin Yagher (who worked on the first two Bill & Ted movies, countless others and is also creator of the original Chucky) built the muscle and “fat suits” for Keanu Reeves and Alex Winter for various scenes during their reprisal of those two iconic characters.

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The director of Chris Hemsworth’s new movie strapped himself to the hood of a car to film this chase scene

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People will do some crazy things in order to get the shot, especially automotive photographers and filmmakers. But this one really takes the prize. For a chase scene of Chris Hemsworth’s new movie, Extraction, director Sam Hargrave actually strapped himself to the hood of a car to hold the camera and film the chase scene.

And that’s not the only crazy filming technique used to create this scene, either. Netflix posted a behind the scenes look to Facebook of how the chase scene was filmed, along with the final edited result of what the camera saw, and boy does it look good!

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A breakdown of a product shoot

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A while ago I got myself a new camera bag. I was looking for something smaller to carry around my Sigma dp cameras and I stumbled across this little beauty from Cosyspeed, which has been a great addition to my kit.

Since shooting products is something I love doing, I could not help but create a photo of the Streetomatic bag and I want to share the steps I took to create it.

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Photographer takes you behind the scenes of this dreamy conceptual image

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Swedish photographer Erik Johansson is known for his dreamy and surreal images. This time, he decided to depict the change between day and night. As always, the artist of great imagination took a lot of time and effort to turn his idea into a photo, and in this video, he takes you behind the scenes of his latest project.

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This scene of time passing in a room was shot as a single long take and it’s beautiful

If you didn’t know better, you’d swear this almost-two-minute sequence from new TV show, Kidding, was multiple takes with motion controlled cameras and some nifty cutting. But thanks to Episode 3 director Jake Schreier, who posted the final clip side-by-side to his Instagram with an overhead view of the stage, we do know better.

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One photographer’s rant about shooting BTS on high-end jobs

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Tim Wallace is a high-end car photographer, while he is not restricted to cars, you’ve probably seen his work with Porsche, Lotus, Ford, Aston Martin, and others on one media or another. I’ll admit, I stalk him on social media, because he produces stellar images, but also because he is a witty guy, and his insights are fun to read.

This rant of his, caught my eye and I think it’s spot on to the point of epic, so I asked Tim’s permission to share it with DIYP readers:

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Behind the scenes of a timelapse shoot in the Alps at 13,000ft in subzero temperatures

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While usually quite exciting to watch, shooting timelapse is often rather boring. You turn up at a location that doesn’t yet look its best and set up your equipment. Then you wait, ready for just the right moment to tell your camera to start shooting away. Then you wait, and wait, and then wait some more, until it’s finally done. You could spend an hour sitting there waiting for what will become a 5 second video clip.

Sometimes, though, shooting it can be quite exciting, too. Especially when you’re at 13,000ft in subzero temperatures in the Swiss Alps. In this video, filmmaker Drew Geraci of District 7 Media takes us behind the scenes on such a shoot. We see how the shots are set up, as well as the results they produce.

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This is the full budget and lighting breakdown on shooting an $8,000 commercial

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The world of commercial shooting, whether stills or video, is an attractive one. It can be a tough one to break into, but it can also be a lot of fun. But it’s not like shooting for yourself or for personal clients. There’s often big crews to deal with, time and budget constraints, venue hire, actors, and a whole host of other potential issues to deal with.

On a recent commercial shoot for Nu Skin, filmmaker Parker Walbeck documented what went into making it. He talks about the gear used, as well as how it was used. We learn about the lighting choices and setup used to film the actors. Parker also talks about the budget breakdown for this shoot.

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