When using the Brush tool in Photoshop, it may seem that adjusting flow and opacity sliders will do exactly the same thing. But of course, they wouldn’t both be there if they were exactly the same, right? In this tutorial, Matt Kloskowski explains the difference between the two and shows you how they work on his own example.
When editing a portrait, you will surely use different tools in Photoshop. But can you edit a portrait using only the Brush tool? Aaron Nace of PHLEARN took this challenge and used only the Brush tool for blemish removal, dodge and burn, even color correcting. This tutorial will show you just how much you can do with a single tool, but also help you learn everything there is to learn about the Brush tool.
If you just updated to Photoshop CC 2018, you may have noticed a small purple line that follows your brush around, and until you figure what it is, you may be frustrated by it. Retoucher Pratik Naik put out a great video explaining exactly what this purple line is.
Turns out this purple line is an indication of a feature called smoothing that is turned on. Smoothing makes your brush strokes… well…. smoother.
There are quite a bit of options on that tool and the video does a great job of breaking them down.
Ever since wanting to focus on colour in my images I’ve found that often times due to budget or location, that I just quite simply cannot get the colours I’d like right in the camera. This means that I’ll often have to change colours in post and that, of course, in turn requires decent selections! There’s a million ways to do that in Photoshop, but I want to give you a kick start guide right here with a basic setup that I truly believe will change your life in selection if you’re unsure of this process.
If you’ve been reading my articles for a while, you already know two very important things about me and my approach to photography. The first– getting it right in the camera– is certainly not unique, but I truly believe that a unicorn loses its wings and the Earth briefly stops rotating on its axis every time the words, “I’ll fix it later in Photoshop” pass someone’s lips. The other has become a bit of a mantra in my photography classes– Photoshop is a tool, not a crutch. A bad photo is a bad photo– no amount of Photoshop is going to change that. But working a little bit of Photoshop magic can, in fact, bring that extra creative dimension to the work if used carefully. When I look at a photo, my first reaction should be, “Nice image.” It shouldn’t be, “Nice editing.” Having said that, however, I recently learned a couple of easy tricks for adding light to almost any scene in Photoshop.