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The Nikon Z6 II and Z7 II will get support for both Blackmagic and ProRes RAW

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As mentioned during the initial announcement of Nikon’s two mirrorless cameras, the Nikon Z6 II and Z7 II, both will be eligible for a firmware upgrade to add RAW over HDMI capabilities (it does not come with the camera out of the box). As with RAW over HDMI on the Z6 and Z7 mirrorless cameras, though, it is still a $200 paid upgrade.

We already knew that ProRes Support would be coming in the form of the Atomos Ninja V, although Blackmagic has now confirmed to No Film School that they’ll also be supporting Z6 II/Z7 II 4K60p BRAW recording in the Blackmagic Video Assist 12G as well. And if you’ve already upgraded your Z6 or Z7, you’ll get it with those, too!

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The Sigma fp now supports 120fps ProRes RAW, Blackmagic RAW, HDR video and cinemagraphs with new firmware

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Sigma has released firmware 2.00 for the Sigma fp mirrorless camera. It’s a major firmware that adds some significant features to the camera, including external ProRes RAW recording to the Atomos Ninja V up to 120fps, as well as BRAW recording to the Blackmagic Video Assist 12G. It also now offers internal raw recording with 12Bit CinemaDNG at up to 30fps at 4K and 100fps at 1080p.

As well as all the new raw video options, the new firmware also brings cinemagraph creation and playback, HDR video, Zhiyun Weebill S connectivity, dual ISO (100 & 3200), and a bunch of other improvements and new features.

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You can download an official Blackmagic BRAW plugin for Adobe Premiere starting today

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If you’ve been shooting the popular BMPCC4K you know that that BRAW is a great codec. It is very light on the computer on one hand, and preserve a lot of information on the other hand. It was natively supported in DaVinci Resolve, but you had to to get a $25 third-party plugin to run it in Premiere.

Today Black Magic released an official FREE plugin that supports both Premiere and Avid. You can download the plugin here.

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First impressions of the Blackmagic Pocket Cinema Camera 4K

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The Blackmagic Pocket Cinema Camera 4K attracted me the instant it was announced. I’d been looking at upgrading from my Nikons to something a little better suited to shooting video for a while and on paper it looked like the perfect solution. I’ve been in possession of one for a couple of weeks now, so I wanted to give you some of my initial thoughts about the camera and how I see it fitting into my workflow.

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Blackmagic talks about BRAW, Pocket Cinema Camera 4K updates and new battery grip

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Recently added to the Blackmagic Pocket Cinema Camera 4K firmware to replace CinemaDNG, Blackmagic RAW (BRAW) is an impressive format, capable of producing some pretty amazing quality footage in relatively small file sizes. At NAB 2019, we had the chance to sit down and talk with Blackmagic about the new BRAW format, the recent firmware update for the Pocket 4K, as well as the new battery grip.

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Blackmagic RAW finally comes to the Blackmagic Pocket Cinema Camera 4K in latest update

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Ever since Blackmagic announced their BRAW format, Blackmagic camera owners have been begging for it to come to their camera first, particularly those who were still waiting for their Blackmagic Pocket Cinema Camera 4K orders to show up.

Initially, BRAW came to the Ursa Mini Pro, and there have been no real guarantees as to which other cameras it may appear on or when. But now, in the latest Blackmagic Camera 6.2 update, it’s finally here for the Pocket 4K. Oh, and they’re removing CinemaDNG completely.

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Blackmagic’s new super-efficient BRAW video format offers massive compression & speed

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Many of us thought that the big news coming from Blackmagic during IBC this year would be that the new Pocket Cinema Camera 4K would be shipping ontime this month. And while that does appear to be the case, with Pocket 4K cameras shipping from next week, that’s not the biggest news.

Blackmagic has today announced their entirely new RAW video codec, Blackmagic Raw (BRAW). Blackmagic says that the new codec was developed to get around some limitations of shooting CinemaDNG, takes up much less space than other codecs for the same level of quality, and can be edited with much lower spec computers without an external GPU.

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