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Slow Mo Guys team up with Steve Giralt to film super fast robots in super slow motion

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I wondered how long it’d be before these two did some kind of collaboration and now it’s finally here. We’re big fans of The Slow Mo Guys here at DIYP, who use Phantom cameras to show us events recorded in super slow motion, letting us see new things that our eyes simply aren’t capable of spotting in real-time. As well as the obvious visual appeal, the insights into physics and how things work is just fascinating.

Somebody else we’re big fans of is Steve Giralt. We’ve featured Steve’s work on DIYP a number of times. He also shoots slow motion with Phantom cameras, but he mounts them onto the end of super fast Bolt robot arms for commercial work. Gav from The Slow Mo Guys visited Steve and his team in New York to see how the whole system works and to create some pretty epic slow-motion shots.

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The SmallHD Focus Bolt 500 RX is a 5″ 4K wireless monitor with a built in Teradek receiver

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The merging of technologies is tricky. Sometimes it succeeds and sometimes it fails miserably. One fantastic idea, though, was to combine the SmallHD Focus 5 monitor with the Teradek Bolt 500 RX. And that idea exists in the form of the SmallHD Focus Bolt 500 RX. We went to visit the SmallHD stand at IBC 2019 and spoke to SmallHD co-founder and CTO, Dale Backus to find out more about it.

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Godox Announce Sony TTL, and Mark 2 For V850, V860 and QT600 Studio Strobe

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With all the gear announcements lately, it’s easy to miss a relatively small name like Godox, but they’ve just announced some updates to their popular Lithium-ion powered range of flash units, and their QT600 studio strobes.

The big news here is that Godox have also added Sony TTL to the Godox X series of 2.4Ghz radio triggers and radio enabled flash units.

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Ever Wondered how 1,000FPS Shots Are Taken? They Use A Huge Robot

Slow motion is a very useful technique commonly used these days. In fact, it is used so often that it’s becoming hard to keep one’s attention for more than just a few seconds.

However, adding camera movement to slow motion videos creates a dynamic and often mesmerizing look, and using a crazy-fast frame rate doesn’t hurt either.

Obviously great equipment needs to be matched with great talent, and that’s exactly what happened when the team at Stiller Studios got their hands on a Bolt High Speed Cinebot and a Phantom Flex4K Camera.

Two days of filming later, the result is a powerful 1,000 frames-per-second, slow motion show reel, portraying the remarkable capabilities of this state-of-the-art equipment. Well, that and the copious amounts of raw talent these guys have.

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