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Nikon’s newest Z6 & Z7 3.20 firmware adds Blackmagic RAW support & ProRes RAW metadata

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Nikon recently announced that the Nikon Z6 II and Z7 II will get the ability to record both Blackmagic RAW and ProRes RAW to the Blackmagic Video Assist 12G models and Atomos Ninja V respectively. Well, now, the Nikon Z6 and Nikon Z7 have also received Blackmagic RAW support with the release of a new v3.20 firmware update.

The new update also includes video metadata for ProRes RAW video files shot with the Atomos Ninja V, allowing you to adjust white balance and ISO in post if you’re using Final Cut Pro (v10.4.9 or higher). But hold your horses, it’s not all great news.

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The Nikon Z6 II and Z7 II will get support for both Blackmagic and ProRes RAW

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As mentioned during the initial announcement of Nikon’s two mirrorless cameras, the Nikon Z6 II and Z7 II, both will be eligible for a firmware upgrade to add RAW over HDMI capabilities (it does not come with the camera out of the box). As with RAW over HDMI on the Z6 and Z7 mirrorless cameras, though, it is still a $200 paid upgrade.

We already knew that ProRes Support would be coming in the form of the Atomos Ninja V, although Blackmagic has now confirmed to No Film School that they’ll also be supporting Z6 II/Z7 II 4K60p BRAW recording in the Blackmagic Video Assist 12G as well. And if you’ve already upgraded your Z6 or Z7, you’ll get it with those, too!

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The Sigma fp now supports 120fps ProRes RAW, Blackmagic RAW, HDR video and cinemagraphs with new firmware

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Sigma has released firmware 2.00 for the Sigma fp mirrorless camera. It’s a major firmware that adds some significant features to the camera, including external ProRes RAW recording to the Atomos Ninja V up to 120fps, as well as BRAW recording to the Blackmagic Video Assist 12G. It also now offers internal raw recording with 12Bit CinemaDNG at up to 30fps at 4K and 100fps at 1080p.

As well as all the new raw video options, the new firmware also brings cinemagraph creation and playback, HDR video, Zhiyun Weebill S connectivity, dual ISO (100 & 3200), and a bunch of other improvements and new features.

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First impressions of the Blackmagic Pocket Cinema Camera 4K

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The Blackmagic Pocket Cinema Camera 4K attracted me the instant it was announced. I’d been looking at upgrading from my Nikons to something a little better suited to shooting video for a while and on paper it looked like the perfect solution. I’ve been in possession of one for a couple of weeks now, so I wanted to give you some of my initial thoughts about the camera and how I see it fitting into my workflow.

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Here’s how you can edit Blackmagic RAW footage in Adobe Premiere Pro CC

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When the news that Blackmagic were replacing CinemaDNG with their own Blackmagic RAW format, there was a mixed reaction. It’s Blackmagic’s own format, offering a lot of benefits over similar formats when it comes to speed, file size and efficiency. But it’s only officially supported by Blackmagic’s own DaVinci Resolve editing and grading software.

Fortunately, though, Blackmagic released the new format with an API that allows 3rd parties to integrate BRAW compatibility into their software. Adobe hasn’t picked up that gauntlet yet, but the developers at Autokroma have. Their BRAW Studio plugin allows you to use BRAW footage easily within Premiere Pro. In this video, Gerald Undone shows us how it works.

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