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The director of Chris Hemsworth’s new movie strapped himself to the hood of a car to film this chase scene

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People will do some crazy things in order to get the shot, especially automotive photographers and filmmakers. But this one really takes the prize. For a chase scene of Chris Hemsworth’s new movie, Extraction, director Sam Hargrave actually strapped himself to the hood of a car to hold the camera and film the chase scene.

And that’s not the only crazy filming technique used to create this scene, either. Netflix posted a behind the scenes look to Facebook of how the chase scene was filmed, along with the final edited result of what the camera saw, and boy does it look good!

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Lok Cheung takes a trip through the Fujifilm factory assembling the GFX100 and now-discontinued X-H1

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While it might look like Lok Cheung is preparing for a viral outbreak in the image for the above video, he’s actually dressed to enter the cleanroom at Fujifilm’s Sendai factory in Japan, where they assemble the sensors for the Fujifilm GFX 100 medium format mirrorless camera.

Lok mentions in the video that this footage was shot a while ago when the Fuji X-H1 was still in production, but it still offers some fascinating insight into Fujifilm’s approach to assembling cameras, with much of the final assembly being done by hand.

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The iPhone 11 will receive 3rd party flash support built right into future iOS version

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Although not common, flash support is something that quite a few people have been asking for with smartphones. Nobody’s seriously looking to replace their DSLRs and mirrorless cameras with phones, but being able to fire your strobes from your phone can be handy for things like behind the scenes shots.

According to 9to5Mac, though, new specs shared with manufacturers on Apple’s Made-for-iPhone (MFi) licensing programme show that the iPhone 11 may soon support for some degree of native 3rd party flash support.

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Here’s how Sigma builds the fp – the world’s smallest full frame mirrorless camera

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I always love Johnnie Behiri’s behind the scenes looks at how the kit we used is made. He recently treated us to a look inside the Fujifilm factory to see how they make the GFX 100 (and Part 2), but now he’s gone back to Japan to see how Sigma builds the Sigma fp – the world’s smallest full-frame mirrorless camera.

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Watch how Fujifilm makes the new GFX100 camera

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This two-part video series from Johnnie Behiri at Cinema5D covering the creation of the new Fujifilm GFX100 medium format digital camera has been absolutely fantastic to watch. In Part one, Johnnie met with the folks from Fuji to talk about the design and concept of the camera and the challenges faced during that process.

Now, Part 2 has been released which shows the first production run of Fuji GFX100 cameras actually being built. It’s a wonderful insight into the birth of a new camera.

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Take a peek BTS to see how Fujifilm developed the GFX100 from concept to production

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News of Fujifilm working on a 100-megapixel camera has been around since Photokina 2018 last September. Finally, only last month, it was unveiled. The Fuji GFX 100 is Fujifilm’s latest flagship mirrorless medium format camera. The folks from Cinema5D got the opportunity to travel to Japan to see the birth of this new camera and monitor its development.

Naturally, they shot video so the rest of us could take a peek. This is just the first part of a two-part series on the making of the GFX 100. Part one deals with the design and development of the camera, while part two will see the factory where the camera is actually made.

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A breakdown of a product shoot

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A while ago I got myself a new camera bag. I was looking for something smaller to carry around my Sigma dp cameras and I stumbled across this little beauty from Cosyspeed, which has been a great addition to my kit.

Since shooting products is something I love doing, I could not help but create a photo of the Streetomatic bag and I want to share the steps I took to create it.

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Take a look behind the scenes at the iconic dolly crane from Saturday Night Live

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For most of us, no matter how much fancy kit we buy, no matter how good we think we’ve got it, something comes along that just makes us feel totally inadequate. The iconic dolly crane from Saturday Night live is such a thing. And it makes the cranes that most of us might use in our own productions look like toys.

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Take a look behind the scenes and watch the breakdown of this magical Christmas film

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Where I am in the UK, each year, there’s a big battle between the supermarkets over who makes the best Christmas ads. Much of the population waits for them to appear in order to praise or criticise. It’s a bit like the Superbowl commercials in the USA. But UK supermarkets aren’t the only ones making great adverts at Christmas.

Although Christmas may seem like a distant memory for many of us now, Artlist has just allowed us to go behind the scenes on how they made their Christmas 2018 commercial. It took a very talented group of people, a lot of ingenuity, and a whole bunch of passion to bring the vision to life.

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Photographer takes you behind the scenes of this dreamy conceptual image

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Swedish photographer Erik Johansson is known for his dreamy and surreal images. This time, he decided to depict the change between day and night. As always, the artist of great imagination took a lot of time and effort to turn his idea into a photo, and in this video, he takes you behind the scenes of his latest project.

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