This looks simple, but it’s a bit more complex than you think. When you are creating images that are intended for high-end retouching, you need to pay particular attention to creating a defined but actually relatively flat illumination.
There are different ways to modify studio lights and adapt them to your shooting needs. In this video, Manny Ortiz compares three popular modifiers: a beauty dish, a softbox, and an umbrella. He uses all three in the studio to show you what to expect from them and how to use them to achieve a nice, flattering light.
The beauty dish has become a staple of portrait and fashion photographers. When used well, they offer a pleasing and flattering look to your subject. The price of beauty dishes has come down in recent years as more have come to market. But you’re still not usually going to find one as cheap as making your own.
In this video from the folks at COOPH, we see how we can make our own DIY beauty dish for minimal cost and tools. And while they portray it sitting on top of the camera in the video, and it will be better than using the popup flash, I’d still get it off the camera.
Do you have to film the occasional interview or webcam session?
Do you need a quick, inexpensive, good looking video light for those sessions?
Well, you can build your own DIY beauty dish video light for less than $50 – and I’ll show you how step by step in this article.
The beauty dish is an important piece of lighting gear for portrait and beauty shots. Joe Edelman will show you how to make a DIY beauty dish for less than $7 using a white umbrella.
Since beauty dish reflects, and umbrella diffuses the light, maybe we can’t really call this build a “beauty dish.” However, it gives the same results. So, in terms of the light quality, this DIY version will give you the same light and catchlights like the standard beauty dish. It costs less, it’s easy to make, so it’s definitely worth the shot no matter how we call it.
The whole “one light” thing always seems to be a popular topic. And it’s not really surprising. Every day new people are getting into flash. Buying just a single light and learning to master it is the usual recommendation. And it’s a great way to start. The next logical step before buying more lights is to try out a couple of different modifiers. And what better modifier than a beauty dish?
Photographer Joel Grimes likes working with beauty dishes. So much so that he even put his name on one. The Westcott Rapid Box, designed by Joel, isn’t exactly the cheapest beauty dish out there. But, it does illustrate the principles. And while you won’t get the exact same look, you can get pretty close with any similarly sized beauty dish. In this video, Joel shows us how he likes to use it.
Flash modifier comparisons can be extremely useful things. Without having to get up out of the comfort of our chair, we can very quickly and easily see how different shapes and sizes of modifier affect how light falls on our subject. Here’s one we discovered by photographer Michael Quack and the team at Visual Pursuit comparing a very wide array of Hensel modifiers.
Hensel modifiers aren’t exactly inexpensive, but if you want the best quality, you generally have to pay the highest prices. While you may not be specifically looking at buying Hensel gear, it’s still a useful comparison. With the subject, lights and photographer remaining the same for each shot, you can quickly get a feel for the differences that modifier design can make in your image.
Shooting outside in bright sunlight scares many photographers. I always see people saying to not go out and shoot portraits when the sun’s high in the sky. To wait until golden hour and shoot in the sunset, or only go out on a cloudy day.
Well, I think that’s nonsense. There’s so much you can do with bright contrasty sunlight. In this video from Shutterbug Magazine, photographer James Patrick shows us five great tips for working with it.
Designed by portrait photographer Joel Grimes, the new 24″ Rapid Box Beauty Dish from Westcott seems to tick all of the boxes when it comes to location photography. It’s small, lightweight, and can also double up as a regular 24″ round softbox by adding the diffuser panel on the front.
Having lightweight and portable kit is important when you’re working on location, especially if you don’t have assistants or other crew with you to help you lug it around. In this video from Joel & Westcott, we’re going to see how this one works and how it can be used on location.
Santa Claus has you spoiled this year by offering you the studio of your dreams? A kit of flashes, a backdrop support and even more rolls of paper? It only remains to push the furniture in your living room out of the way to turn it into studio worthy of the name!
A single point hurts you in spite of all the new material, you do not know what light modifier to choose?
Beauty dish, softbox, stripbox, reflector bowl, umbrellas of all kinds and sizes, flash ring, etc… It is a bit like choosing a new car, many choices but which really matches my expectations?
No worries, I’d be your dealer today to guide you by showing you the difference in all these modifiers!