You can use different kinds of lighting to capture beautiful landscape photos. But for photographer Adam Gibbs, backlighting is one of the favorites. In this video, he teaches you how to use backlighting in landscape photography, why it is good, and how to make the best out of it.
Backlighting translucent objects is always great fun to experiment with. Sometimes it’s quite easy. You just put a light on a stand, place it behind your subject, and start shooting away. But food can get a little messy, and it’s not easy to just hang up in front of a light.
This is where a light box comes into use. Some of us might still have one of these laying around from the days of film. But, they can be quite inexpensive to buy. Or, you can build your own. This video from photographer Doug McKinlay shows us how to use it.
Have you ever noticed how a person’s ears sometimes glow in portraits when they are backlit? Because ears are more transparent than the rest of our bodies, they tend to catch and diffuse any light that is shining through them, kinda like the way a softbox works. To that end, you can imagine how silly it would look if the subject of a portrait had two tiny, glowing softboxes on each side of their head. You can see why glowing ears just aren’t that desirable in portraits. If you’ve ever spent time in Photoshop trying to fix it, you’ll be grateful for this little tips from professional photographer, Glyn Dewis.
Photoshop makes adding lens flares to a photograph an incredibly simply task which is, both, good and bad. Though they can add a creative touch to a photo, lens flares can also be a great way to turn a good photo bad (really quickly). We’ve all seen those awkwardly placed lens flares that result in more confusion than awe. Luckily, we have Aaron Nace, who nicely explains when they should and shouldn’t used in this 15 minute tutorial. After he offers us his guidance on when to use a light flare, he’s kind enough to do a walk through of the process of actually doing so.