The Smithsonian Institution has released an online gallery of 2.8 million images with more to come. The massive collection includes images and data from across the Smithsonian’s 19 museums, along with nine research centers, libraries, archives, and the National Zoo. And the best of all is: all photos are copyright-free and available for you to download and use.
If you enjoy historic photos and need them for any purpose, here’s a real gem. Paris Musées has just launched an online collection with more than 100,000 digital reproductions of classic artwork. Among them, there are 62,500 photos, all of them scanned in high-resolution and publicly accessible under a CC0 license.
Whether you’re learning about history or looking for inspiration, historic images are always interesting to browse through. The Arab Image Foundation is digitizing its collection. Out of half a million images, now you can access and download 22,000 of them from an online gallery – and there are more to come.
If you were to mention the term ‘formal analysis’ to an art historian today, you’d probably be told it’s passé. No one really tries to objectively compare one painting against another using formal concepts anymore. However, formal analysis—or the concepts that it identified—does still present some interesting ideas, especially for photographers.
Swiss art historian Heinrich Wölfflin was a key figure in formal methodology. He devised a system that compared opposing artistic concepts so that they could be applied to paintings and used to analyse them. In particular, Wölfflin was interested in trying to characterise Renaissance and Baroque art.
One pair of comparators used by Wölflinn was closed form against open form. While I’m doubtful you’re set on recreating Renaissance or Baroque pictures, knowing what the terms mean, and how they can be applied to your photos and make your audience feel about them, is useful.