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APS-C

Sony reported to be announcing a new ZV line APS-C vlogging camera with a stacked BSI CMOS sensor

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There has been talk for a little while that Sony is working on adding more bodies to its vlogging-based ZV line of cameras. Some expected a new camera to come in the Spring of this year, but that didn’t happen. Fresh rumours, though, seem to suggest that it might be coming in August (although they admit that date is speculation) and contain a stacked BSI CMOS sensor like the Sony A1 and A9 II.

As part of the ZV lineup, it would naturally be geared towards video. It’s reported that the camera will offer crop-free (beyond the inherent 1.5x crop of the APS-C sensor) 4K 60fps video as well as five-axis in-body image stabilisation. There isn’t much else to go on, besides that, but it makes sense for Sony to be putting more effort into APS-C again.

Canon finally makes APS-C RF mount official with the new EOS R7 and EOS R10 mirrorless cameras

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In the words of the late, great Freddie Mercury… “It finally happened, happened, happened… It fiiiiinally happened!”. Yup, Canon has now officially gone APS-C with their RF mount mirrorless system with the announcement of not one but two new APS-C RF mount mirrorless cameras with the Canon EOS R7 and EOS R10. If this doesn’t mark the end of EOS M (even though Canon apparently denies it), then I don’t know what does.

The Canon EOS R7 is a 32.5-megapixel RF mirrorless camera, with up to 30 frames per second continuous shooting and full-sensor width 4K video at up to 60fps (a first for Canon APS-C!) and up to an insane 8-stops of hybrid lens/in-body image stabilisation. The EOS R10 is a lower-priced 24-megapixel APS-C body with no IBIS but inherits the AI autofocus system from the EOS R3.

Tokina goes wide aperture with its new SZ 33mm f/1.2 APS-C lens for Fuji X and Sony E mount

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Tokina has announced the new Tokina SZ 33mm f/1.2 lens for Fujifilm X and Sony E mount APS-C cameras. The manual focus offers a field of view similar to that of a 50mm lens on a full-frame body with a wide and bright f/1.2 aperture for shallow depth of field and low light shooting conditions. As well as manual focus, the lens also features a manual aperture ring to help keep it down to a budget-friendly price.

Tokina bills the lens as being ideal for landscapes, street photography, portraits and nighttime photography, and is a third of a stop faster than the Tokina ATX-M 33mm f/1.4 it replaces in the lineup. Despite trying to keep the price as low as possible, though, it’s a little bit more expensive than its predecessor.

The beginning of the end? Canon reported to have discontinued the EOS M6 Mark II with no successor announced

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It appears that Canon is set to discontinue the Canon EOS M6 Mark II. There’s been no official announcement, of course, although there never really is when Canon discontinues a product. They only make a big song and dance when new products are announced. But Canon Rumors says they’ve received reports from two different countries that the Canon EOS M6 Mark II, released in 2019, has been discontinued.

If true, and with no Mark III successor announced, this is possibly the strongest signal so far that Canon does indeed intend to kill off the EOS M line and create an APS-C version of their RF mount mirrorless system. Rumours of a high-end APS-C EOS R7 have been surfacing again lately, and it’s not the only APS-C RF mount camera rumoured to be announced this year, either. Canon is usually pretty good about announcing successors before camera models are discontinued. So, the fact that an EOS M6 Mark III has not been announced is quite telling.

This is the first rumoured set of specs for the Canon EOS R7 (and it might come with two new lenses)

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Well, that didn’t take long. Just days after rumours confirm (if that in itself isn’t an oxymoron) that the Canon EOS R7 is going to be announced later this year, we have our first set of rumoured specs. Honestly, though, I’m not entirely sure how accurate these are going to be at this stage. I think most of these can be put down to some decent guesswork based on the other stuff Canon already has on the market.

But as well as a first rumoured specs list, Canon Rumors is reporting that “trustworthy sources” have told them that Canon will release two “RF-S” lenses – the mirrorless equivalent to Canon’s EF-S APS-C DSLR lenses – at the time of the EOS R7 launch.

Canon 7D Mark II mirrorless successor, the Canon EOS R7, rumoured to be announcing in late 2022

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Well, it’s been a minute or two since we last heard about Canon finally creating a follow-up to their popular Canon EOS 7D Mark II, the APS-C sports and wildlife shooter announced in 2014 and reportedly discontinued in 2019. There were reports at the end of 2020 that an “EOS R7” was spotted out in the wild, with many expecting an imminent announcement. It never came.

APS-C RF mount rumours started to hot back up again last September, though, but since then it’s basically been radio silence – except for a vague mention of an APS-C RF mount camera coming this year. Now, though, Canon Rumors is reporting that the Canon EOS R7 (they say they’ve confirmed that this is what it’ll be called) is going to be announced later during 2022, with Q4 being the most likely timeframe.

Canon APS-C RF mount camera expected in 2022, new camera registrations, is EOS-M disappearing?

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Well, a couple of things coming out of the Canon camp today. First up, Nokishita has spotted two new camera registrations from Canon coming from what appears to be a Russian certification body. The two bodies are unreleased cameras with the codes DS126841 and DS126842. The other is an update on the long-awaited APS-C RF mount mirrorless camera.

The timing of these two seemingly independent bits of info seems quite convenient and I think they may be linked. I also think this could spell the end for Canon’s EOS-M system. I don’t think it’ll happen overnight, but if an APS-C RF mount body is on the way, what’s the point of keeping the second mount system around?

Nikon Z fc 28mm f/2.8 Special Edition Kit release date delayed indefinitely

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We already knew that Nikon struggling to keep up with the pre-order demand of the Nikon Z fc, after an announcement earlier this month telling us exactly that. That original announcement said that the Z fc and Zfc 28mm f/2.8 Special Edition Kits were both scheduled to be released late this month, but that there are going to be delays and it will take some time for items to be delivered.

Now, a new announcement from Nikon says that the Z fc 28mm f/2.8 Special Edition Kits are on hold indefinitely. The release doesn’t specifically state that there are any delays on the lens sold separately, but given that the camera itself and the 16-50mm kits are expected to release on time, I would imagine the lens itself is what’s causing the delays.

Less than four days after Nikon Z fc announcement, Nikon can’t keep up with demand

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The new Nikon Z cf APS-C mirrorless was only announced four days ago and Nikon has already issued a statement claiming that they can’t keep up with the pre-order demands. The statement was posted to the Nikon Japan website yesterday, citing the “large number of reservations”. This goes for both the Z fc body only as well as the kit containing the new 28mm f/2.8 Special Edition lens.

I suppose it’s not entirely unexpected, as every single product announced by any manufacturer in the world of photography and video these days seems to be followed up by an “Oh no, we didn’t realise it’d be this popular!” statement a few days later. But, really? Come on, manufacturers. What are you doing?!?

Is Nikon’s newly announced retro-inspired Z fc their best vlogging camera so far?

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Well, the rumour mill seems to have been a little off. It wasn’t Canon that was announcing a new camera today, but Nikon. Nikon has now officially announced their latest addition to their Z mirrorless lineup, the retro FM-inspired Nikon Z fc. It features a 20.9-megapixel APS-C sized sensor paired with an EXPEED 6 processor for fast performance and 4K UHD video.

It also seems that Nikon might’ve actually finally figured out how to make a decent vlogging camera. Well, almost. It offers full-time eye-detection autofocus, a flippy out LCD, a built-in stereo microphone, a 3.5mm socket for an external microphone and built-in live streaming although it doesn’t feature any IBIS, which may be a dealbreaker for some vloggers.

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