Now and again its good to go back and look through your old images. One of my most popular images is one called Warriors come out to play. My techniques and style have changed in the following years after this, but I always get people asking for a breakdown, so here it is.
Can photography change the world? This is the question I often ask myself, and I am not the only one. I am still looking for an answer, but there are artists who are actively trying to change the world with their projects. They are trying to point out to the problems we are facing on a global level. One of such artists is Ben Von Wong. After creating the incredible Mermaids Hate Plastic project, he continued pointing out to the environmental issues through his work. He created another epic project: Mad Max Meets Trump’s America. It relies on a well-known problem we should all be worried about – air pollution. After hearing about President Trump’s recent commitment to bring back coal, his initial idea turned political – and became a fantastic, thought-provoking project in a Mad Max-like setting. What would the world look like if we had new coal mines?
Creating apocalyptic worlds isn’t an uncommon theme for many photographers. Usually, however, this creation is finalised in Photoshop. They’re often composited images, blended with some CG textures to give those last little touches. But what if you don’t want to do it in Photoshop? What if you want to shoot it for real?
That’s exactly what diorama artists Lori Nix and Kathleen Gerber have been doing for over a decade. The pair specialise in post-mankind miniature environments. Crumbling buildings, nature taking back what is hers. In this short documentary by filmmakers The Drawing Room we meet these two amazing artists and get some insight into their work and thought process.