Understandably, I was very excited to hear the news of Fujifilm bringing back NEOPAN 100 ACROS in the form of ACROS II earlier this year. So, when a second announcement came with details of a November 22nd Japanese release date, I started making calls to see if I could buy some. I got lucky and $190 dollars and a week later, I received my shipment; a brick each of 35mm and 120 ACROS II.
Fujifilm Acros 100 was pronounced pretty much dead in March of last year, during what appears to have been a mass cull of their film over the last few years. But then, just a few short months after its demise, the announcement came that Fujifilm was going to reintroduce some of their black and white films, due to an overwhelming demand from film photographers.
In June of this year, Fujifilm announced that the first black and white film to come back was going to be Fujifilm Across 100II. Technically, it’s not a rerelease, but a new version, to get around the availability (or a lack thereof) of raw materials in the original. Now, it’s set for release later this month.
In my never ending search for that “special” photographic look that sets me apart from the competition, I recently discovered that overexposing film increases the grain and adds a vintage pictorial look to my images. So I wanted to explore that look further. To that end, I wanted to find out if this film grain can be copied in the digital world using Adobe Lightroom. So I went out and shot a few rolls of film and shot the same images with my digital camera. I used the same lens and F stop for each image. (Well, almost the same F stop. I made a few mistakes but it was close enough for my purposes)
Say what you will about wedding photography but few other gigs will allow you to drink on the job and party with beautiful people without having to even know a single dance move.
As if the digiFilm’s epic fail wasn’t enough, Yashica is now launching its own 35mm film. Yes, that Yashica, the company that trashed the iconic Japanese brand’s name by launching a plastic piece of junk version of the Electro 35.
The new 35mm film has been promoted on Yashica’s Facebook page, and it’s bad from the very start. The bad Photoshop job of the promo image shows that it could be just another scam, which has provoked a fierce reaction in the community.
According to a recent rumor, some or all of Kodak Alaris film business might be sold as soon as March current year. Reportedly, the company has out its film, paper and photo chemical assets up for sale in an attempt to cover around $2.7 billion worth of debt.
Lead by spunky frontgirl Ashley Miles, Vinyl Rhino is my favorite cover band in Frederick, Maryland. For years, they’ve rocked our bars with high energy hits from the 80’s to what’s current. Saturday night they stopped by Champions and blew the roof off the place. I was there to capture it on the newly re-released Kodak TMAX P3200.
We’ve seen quite a bit of film being discontinued in the last years. Some Velvia and Provia, Agfa Vista, and many others. We reported that some Fuji Acros was going to go away back on October 07, and completely forgot about it.
But it seems that the time has come, and the Casual Photophile reports that communication was sent to Japanese dealers telling them that Fuji will stop production on the 35mm and 120 Acros films. (Get some here, here and here while stock lasts).
Despite all the new, high-end digital cameras, film photography has been regaining popularity in recent years. So, perhaps you’d also like to grab an old film camera and shoot a roll of black and white film. If this is the case, Ilford Photo has a great crash course for you. In this video, they’ll teach you how to develop your very first black and white film at home.
A couple months ago, we had a family friend who got a hold of some really old family photos. She came over and asked me if there was any way that I could convert her old slides to digital images. Since I do not own a slide scanner, I was about to tell her that there was nothing I could do, that was until I came up with a plan B.
I was holding one of her slides up to a light to see the image, when I came up with an idea.
I knew that I needed to backlight the slide to see the image, and I also knew that if I could get in close enough, I could capture a digital image of the slide. In order to get a good solid backlight, Here is what I came up with