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Intrepid cuts straight down the middle with their new lightweight 5×7 large format camera

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Large format cameras typically come in two sizes these days. They’re either 8×10″ or the more common 4×5″. But there is a size in between, and that’s 5×7″, and now the British large format camera manufacturer, Intrepid has added one to their line up.

About the new Intrepid 5×7, they say it offers all of the features you’d expect from a traditional 5×7″ camera, but at a fraction of the cost and weight, coming in at a mere 1.4kg. It uses many of the same parts that Intrepid uses in their 4×5 and 8×10 models, including fully independent front standard movements and linear focus.

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Analog people in a digital world – why do some still shoot the old ways?

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Although analogue photography, particularly film, seemed to die off in the early 2000s as the world started to switch to digital, it’s seen something of a resurgence. For some people, it didn’t stop, though, and the analogue process has remained a constant in their lives an in their work.

This video from Exploredinary, made in 2017 for the Dallas Observer, but only recently published to YouTube, tells the tale of four artists who still use those old techniques including Tintypes, Cyanotypes and custom Polaroid cameras.

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How we built Bertha – A large format camera that will shoot 1.1×1.1 metre slides

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It’s called Bertha, it’s a gigantic camera built out of a desire to find out what photography can reveal beyond certain limits.

From the first moment I started experimenting I sensed that there are still many ways to go, past and present can merge, just as old and new technologies, historical knowledge can find new contemporary interpretations.

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Tetenal has announced its first film developing kits since coming under new ownership

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It looked like it was the end for Tetenal. At the beginning of 2019, Tetenal went into liquidation but was rescued by a management buyout, including all photochemical formulas, the Tetenal brand name and the production facilities. Now, they’ve announced their first new developing kits, the “MagicBox”,  for C-41 & E-6 film and RA-4 colour paper, under the new brand name TETENAL 1847.

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Ilford announces 5th gen Multigrade paper and Ortho film is now available in 35mm and 120 format rolls

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Designed as a technical high-resolution copy film, Ilford Ortho film has thus far only been available in sheet film formats. Now, Ilford has expanded the formats to add 35mm and 120 medium format roll film. The black and white film is rated at ISO80 in natural light and ISO40 in tungsten.

Harman Technology, who owns the Ilford brand, has also announced the 5th generation of Ilford Multigrade paper. Multigrade V RC Deluxe replaces the Ilford Multigrade IV RC papers released 25 years ago.

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Visiting the Weird Lens Paradise – the largest collection of restored cameras and lenses in Europe

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When it comes to weird lenses, the first name that springs to many minds is YouTuber Mathieu Stern. So, who better to go visit the weird lens paradise at Camera Rescue? So, that’s exactly what Mathieu did. He hopped on a flight to Tampere, Finland, to check out their huge collection of kit. Fortunately, he shot a video so the rest of us could see some of the cool lenses he got to play with and tell us more about the Camera Rescue project.

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Feel old yet? This Stranger Things fan didn’t know what a darkroom was

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For most of us who own cameras, we’ve at least heard of a darkroom, even if you’ve never been used one or been inside one. It’s been a part of photography for as long as photography has existed, and there are many still around today, despite the world going digital. A lot of people still shoot film, and there are plenty of darkrooms around the world you can hire, even if you don’t have your own.

One appears in Stranger Things quite frequently, and it’s somewhere we often see Jonathan go to develop his photos and make prints. One viewer, though, seems pretty confused as to what the hell this “red room” is. This viewer took to StackExchange to ask the question. Poor Ansel would be turning in his grave.

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Fujifilm film prices are going up globally by at least 30% on April 1st – No joke

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Fujifilm has announced that it will be implementing “a worldwide pricing revision for its photographic films and photographic papers”. Fujifilm says that they’ve been facing the rising cost of film and logistics. They say that they’ve absorbed some of the costs through structural reforms, but can not risk sacrificing the quality of their product, so prices are going up.

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How to quickly and easily “scan” negative film with your digital camera and a copy stand

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Scanning film is one of the biggest issues with shooting film today. It’s not that it’s particularly difficult, it’s just a pain because most of us tend to do it so little. Maybe a roll or two every few weeks. Pulling out the scanner and hooking it up can be a chore, so we put it off and just never get around to it. I’ve got plenty of rolls here that have been developed but not scanned yet.

Photographer, Matt Day, however, has a simple solution to this problem. A solution that’s compact, quicker to set up than a scanner on your computer, as well as being faster and easier to actually “scan” in your images. Using a simple copy stand and an LED panel, he can get through a lot of film through very quickly and easily.

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This guy wants to rescue 100,000 film cameras by the year 2020

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I’m not what you’d really call a “camera collector”, although I’ve collected enough over the years that it’s been a long-running joke between myself and several friends that “he who dies with the most cameras, wins”. I buy cameras, including film cameras, in order to use them. They have a purpose when I acquire them, and then I just don’t get rid of them.

I think we’d all lose to Juho Leppänen and the team at the Camera Rescue, though. It’s their goal to rescue 100,000 film cameras by 2020. Jordan Lockhart from Cameraville went to visit Juho in Finland to find out more about Camera Rescue and what they do with all these cameras.

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