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Advice on handling contract cancellations for photographers

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As we go through this unprecedented time together, our team at PhotoShelter is committed to providing resources, advice and inspiration for the photography community. Follow us on Twitter @PhotoShelter for the latest updates.

On March 12, 2020, the American Society of Media Photographers (ASMP) held a webinar with General Counsel Thomas Maddrey entitled “Potential Business Ramifications of Coronavirus (COVID-19).” Maddrey covered a variety of topics, including cancellation clauses in photographer contracts. Given the large number of cancellations suffered by the photo community in the past few weeks, and the fear of future cancellations for newly assigned work, we followed up with Maddrey for additional information.

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How freelance photographers are dealing with the economic effects of coronavirus

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As fears of coronavirus (COVID-19) balloon in the U.S., many freelance photographers have begun to contend with the economic impact of event cancellations and social distancing policies. Freelancers are accustomed to seasonal slowdowns or the occasional cancellation, but the uncertainty around the breadth and duration of this outbreak has resulted in anxiety, frustration, and anger.

Adweek photo editor Kacy Burdette recently asked photographers on Twitter if they had lost jobs due to coronavirus, and received responses from around the country with stories of cancellations. The engagement provides proof that the economic threat is real and affecting photographers now.

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How the kids are learning photography on TikTok

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TikTok, the video-based social media app, usually conjures visions of teens mimicking the latest dance craze, but it’s probably better described as short attention span YouTube. In 2017, ByteDance, the Chinese-owned parent company of TikTok, acquired the Musical.ly app, which had gained a toehold with an under-18 demographic by becoming a replacement for the comedy-oriented Vine app along with a burgeoning lip synching community.

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Celebface: Why everyone looks the same on Instagram

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In Guns, Germs, and Steel, author Jared Diamond describes two systems of invention transmission: 1) idea diffusion: imitation of an idea, and 2) blueprint copying: literal copying of an idea. Diamond uses the development of writing systems as the medium to discuss the concepts, noting that written writing systems probably only rose independently in Sumeria (3000 B.C.E.) and in ancient Mesoamerica (600 B.C.E.) with all other writing systems being influenced by the transmissions via trade and war.

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Are your social media photos ending up in a law enforcement database?

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Facial recognition is an incredibly useful consumer tool for organizing our burgeoning photo albums. Companies like Google and Apple have slowly integrated machine learning algorithms into their consumer photo products, which allow you to search by keywords without the need for manual tagging, or to simply click on a face to see more photos of that person.

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What happens when a major photo magazine shuts down?

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Last week, Emerald Expositions, the owner of Photo District News (PDN), announced that PDN would no longer publish new content online or in print. The magazine had been a staple of the professional photography industry, particularly for advertising and commercial photography. PDN’s articles covered a wide range of topics that included gear announcement, industry news, and the venerable PDN 30 which identified and showcased emerging photographers. In addition, PDN produced a number of photo contests including the PDN Annual.

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How technical do you have to be to take a good photo?

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I have a confession to make. I often shoot in aperture priority mode.

I’m a reasonably competent photographer with a solid grasp of the factors that drive exposure, but I don’t want to fiddle with multiple dials when I just want to take a photo. There are, of course, exceptions. I shoot manually when using strobes or stars, but those niches don’t represent the bulk of my photos.

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Adobe wants to help authenticate your photos. What should photographers think?

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At Adobe MAX 2019, Chief Product Officer Scott Belsky announced the Content Authenticity Initiative – a nascent and ambiguously defined way for attribution to travel with an image and allow consumers to know, in the words of Adobe VP Dana Rao, that “the content they’re seeing is authentic.”

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Do I still need a photography website in 2019?

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Before the rise of social media and the ubiquity of apps like Instagram, photographers established and flexed their brands through their personal website and blog. The photographer website supplanted the printed portfolio, for the most part, offering photographers a way to showcase their work with a remote audience of photo editors, customers, and fans.

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