ProRes RAW was lauded as a high-end raw video codec for high-end video shooters and editors. But it had one fatal flaw; You could only edit it with a Mac. Well, now that appears to be changing as Apple has released a beta of Apple ProRes RAW for Windows which adds ProRes RAW support to some of the applications in the Adobe CC suite including Premiere Pro, After Effects, Rush and Media Encoder.
It’s been a while since we’ve seen a video from Matthew Vandeputte, but now he’s back with a good one for all you aspiring hyperlapse shooters that don’t have high-end cameras and lenses, gimbals, or other expensive and fancy gadgets.
During a recent social media meet up in London, Matthew borrowed a friend’s Canon EOS 200D (Rebel SL2) with the 18-55mm kit lens to provide us with some tips to show us how we can shoot hyperlapse sequences with very inexpensive equipment.
The whole web seems to be buzzing with talk about The Mandalorian right now. After finally watching it, and realising it wasn’t a show about a “Half man, half Delorean“, I can see why. I’m not going to post any spoilers here, but if you haven’t seen it, and you’re at all a fan of Star Wars, you should. It’s probably the best thing they’ve done with it in a while.
One effect of Star Wars, that’s pretty much as old as the Star Wars franchise itself is the iconic blaster. They’ve been shot by everybody over the years, so it’s no surprise they show up in The Mandalorian, too. In this video, Yannick at Cinecom shows us how to easily make them in Adobe After Effects.
Green screening (also called chroma keying) is a very useful skill to have when shooting video. Even if you’re not using an actual grey screen, it can be handy to know how to easily mask out a particular colour, and composite something else in its place. In this video, Jordy at Cinecom walks through the top five things he’s learned when it comes to getting a good key.
Adobe has posted a short but to the point blog post stating that many older versions of Creative Cloud applications will be removed, limiting availability to only the two most recent major versions of each (except for Acrobat – which will only allow the latest version) and their minor updates. This is an attempt, Adobe says, to help keep users updated with the latest features as well as ensure critical bug fixes and security updates are applied.
The latest Creative Cloud update from Adobe brought with it a lot of new features, changes and fixes for the whole suite. Three of the biggest are content-aware fill for video in After Effects, Freeform view for Premiere Pro and some pretty massive GPU performance upgrades. DIYP spoke with Adobe at NAB 2019 about these new updates and what they mean for users.
Adobe has announced today a groundbreaking addition to After Effects: content-aware fill for video. The feature is powered by Adobe Sensei, the company’s AI platform which helps to remove various visual elements automatically. This feature has been available in Photoshop, and it makes it much easier for photographers to remove unwanted objects from images. But now, the same feature is coming to After Effects, making life easier for video editors, too.
Coming up with new and different camera & editing techniques for your videos is challenging. There are millions of them out there, that Hollywood has been using for decades. But now they’re accessible at home, with just a little crafty camera work and some editing. But it’s easy to overuse the same handful of techniques.
Well, Jordy at Cinecom is here to show you 5 cool camera & editing tricks you might not have tried before. They’re straightforward techniques that anybody can master with enough practice, but they may require a little planning ahead.
Timelapses have become so common now that they’re almost cliché. Like every other type of photography or filmmaking, they’ve gotten to the point where creating something, anything is quite easy. But making ones that really stand out is the challenge. Hyperlapse is like Timelapse on steroids. Not only are you speeding up time, but you’re moving your camera through space, too.
Doing them well is even more difficult to pull off than a great timelapse. But they’re not that difficult to get started with. In this video, professional hyperlapse photographer (yes, that’s a real thing!) Matthew Vandeputte shows us the easy way to shoot hyperlapses. Handheld without any kind of tripod, gimbal or any other support system.
After Effects is probably my favourite tools in the Adobe Lineup. Essentially, it is for video what Photoshop is for stills. It has a whole lot of very powerful features to let you animate, composite, and otherwise manipulate your video footage. It also lets you do motion graphics, camera tracking, and a host of other cool things. But it can be a little overwhelming at first.
This new course from motion graphics artist Roland Hartmann (graphicINmotion) will help to introduce you to the application gently. It guides you through the whole process from first loading and setting essential preferences to rendering out your final video. And, it’s completely free.