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Adobe After Effects’ new Composition Profiler helps you to speed up your renders

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There’s a small bit significant new feature coming to Adobe After Effects. It’s currently available in the latest After Effects Beta and I expect it’ll be coming to the final release once it’s all ready. Essentially, it lets you see exactly how much each layer in your composition affects your render time.

This is a pretty massive feature, as it’s often difficult to figure out exactly which part of your composition might be slowing everything down without manually checking each layer on and off in turn. Now, the new feature shows your entire render frame time with each layer broken down individually, allowing you to easily pinpoint layers you can optimise.

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Adobe Premiere Pro now has AI speech recognition for automatic subtitle creation

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Adobe has released a new July 2021 update to Adobe Premiere Pro with two big headline features. The first is that Premiere Pro can now natively transcribe the speech in your videos to text in order to text documents for closed-caption subtitles. Previously, you’d need to purchase separate AI transcription tools like Simon Says, but now it can all be done natively within Premiere Pro itself.

The other big news from the Adobe camp is that Premiere Pro’s native Apple M1 version has now been officially released in its final form. Apple M1 support was launched as a beta in December 2020, but after seven months of testing, it’s now ready for prime time, with Adobe claiming speeds almost 80% faster than comparable Intel-based Macs.

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Premiere Pro gets scene detection, HDR workflows and Quick Export feature in new update

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Adobe has announced some nice upgrades for Adobe After Effects and Premiere Pro as part of a major Creative Cloud video tools update. Premiere Pro sees new workflow and performance increases, along with support for Rec2100 HDR editing. After Effects gets new 3D Transform Gizmos and camera navigation tools.

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The new AI-powered Roto Brush 2.0 for After Effects is now in the public beta and it’s amazing

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Adobe After Effects hasn’t seen a big update in a little while, and it seemed to have been skipped over during last month’s big update – although, even if it had, the new app icons would’ve still probably stolen the show. But a little teaser was posted about an upcoming feature – the AI-powered Roro Brush 2.0.

The new tool is now available in the latest public beta of After Effects, and Jordy and the team at Cinecom took it for a spin. If their video is anything to go by, it looks pretty incredible and may potentially negate the need to ever use a green screen again for a lot of shots.

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New Premiere Pro and After Effects updates add native ProRes RAW support and GPU rendering

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It was only six weeks ago that Apple released a beta plugin to allow Adobe Premiere Pro, After Effects, Rush and Media Encoder to read video files recorded in ProRes RAW. Now, it seems that plugin is no longer necessary as Adobe has just announced native ProRes RAW support for both Premiere Pro and After Effects in the latest update.

As well as ProRes RAW support, Premiere Pro also gets an improved pen tool and finally sees GPU acceleration on Windows for h.264 and h.265 (HEVC) files with both Nvidia and AMD GPUs – which should massively speed up those renders. After Effects gets a new “tapered shape stroke” feature, as well as concentric shape repeaters.

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Adobe launches Productions and Team Projects to let you remotely collaborate on videos

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Back in January, Adobe announced Productions – a new tool which allows Premiere Pro CC users to more easily collaborate in post-production and editing. They say that it improves the workflow for feature films, broadcast and web-based content while working in teams in various locations, but also when working on your own, too. Now, Productions and Team Projects are available for Premiere Pro and After Effects CC users, the latter of which is free until August 2020.

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Apple has released a beta that adds ProRes RAW support to Adobe apps for Windows

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ProRes RAW was lauded as a high-end raw video codec for high-end video shooters and editors. But it had one fatal flaw; You could only edit it with a Mac. Well, now that appears to be changing as Apple has released a beta of Apple ProRes RAW for Windows which adds ProRes RAW support to some of the applications in the Adobe CC suite including Premiere Pro, After Effects, Rush and Media Encoder.

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How to shoot and edit hyperlapses with cheap lower end gear

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It’s been a while since we’ve seen a video from Matthew Vandeputte, but now he’s back with a good one for all you aspiring hyperlapse shooters that don’t have high-end cameras and lenses, gimbals, or other expensive and fancy gadgets.

During a recent social media meet up in London, Matthew borrowed a friend’s Canon EOS 200D (Rebel SL2) with the 18-55mm kit lens to provide us with some tips to show us how we can shoot hyperlapse sequences with very inexpensive equipment.

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How to create a Mandalorian light blaster effect in After Effects

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The whole web seems to be buzzing with talk about The Mandalorian right now. After finally watching it, and realising it wasn’t a show about a “Half man, half Delorean“, I can see why. I’m not going to post any spoilers here, but if you haven’t seen it, and you’re at all a fan of Star Wars, you should. It’s probably the best thing they’ve done with it in a while.

One effect of Star Wars, that’s pretty much as old as the Star Wars franchise itself is the iconic blaster. They’ve been shot by everybody over the years, so it’s no surprise they show up in The Mandalorian, too. In this video, Yannick at Cinecom shows us how to easily make them in Adobe After Effects.

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Five top tips for pulling better keys from your green screen footage

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Green screening (also called chroma keying) is a very useful skill to have when shooting video. Even if you’re not using an actual grey screen, it can be handy to know how to easily mask out a particular colour, and composite something else in its place. In this video, Jordy at Cinecom walks through the top five things he’s learned when it comes to getting a good key.

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