Most people use drones to take magnificent aerial videos and photos. I mean, that’s what drones are for, right? But, this video shows us that it doesn’t necessarily have to be the case. Here you will see a video of a couple filmed with a drone, but in quite an unconventional way – without flying it.
I sometimes think how awesome it must be for pilots if they love photography. And an Ecuador-based pilot and photographer Santiago Borja Lopez proves me right. He captures night skies from his Boeing 767, and sometimes, these images involve lightning bolts and incredible storms. The sky from an airplane is magnificent on its own, but if you add lightning bolts above the clouds to that picture – you’ll get something completely astounding.
When you fly by airplane, bringing the camera with you is a must. How else would you capture magnificent aerial scenes on such height? But would you ever say you could lose a camera through an airplane window? I thought it was impossible, but then I saw this video. It’s only a bit heartbreaking, but most of all – it’s pretty hilarious.
Drones have become the go-to method for getting you GoPro up in the air. But in more and more locations, new regulations limit where we can fly. But what other options do we have? Well, you could gaffer tape it to a coat hanger and swing it around your head on a piece of string. Or, you could stuff it into the front of a giant Nerf football and just throw it.
The latter is the option taken by Aer co-founder Mark de Boer and his friends. Sort of. It’s not an actual Nerf football, but the design of the Aer is very similar in appearance. You will notice, though, that this has much larger fins. These should help to keep it level and not spin wildly through the air as it travels, making for cleaner, steadier footage.
Something I’m going to be touching on today is referred to in the painting world as “Aerial Perspective”, a way, if not “the” way to create depth in your images. When you see pictures of mountains, or landscapes you’ll often notice that they are coated with fog, clouds, smoke, steam, etc in order to make the background appear further away.
In my review of the Seaport Digital MegaMast, I mentioned a few projects that I was just dying to try…well this was one of them.
Stick $4k worth of camera gear up on a three story high pole and shoot fireworks at it.
Ya – simply because I though it would be amazing…and because amazing sells.
Here’s how I did it…
The single biggest challenge I face as a photographer is finding ways to create images that are noticeably different than everyone else’s.
The vast majority of photographs that have ever been taken (or ever will be) are captured from about 5 feet above the ground – eye height for the average human.
One different perspective that I find particularly interesting is overhead and aerial photography.
There are several (very complicated and expensive) ways to get a camera overhead, but I recently had the opportunity to review a product that makes taking overhead and aerial style photos very easy – and the results are spectacular.
Hit the link to continue reading my hands on review of the Seaport Digital MegaMast. (If you do decide to get one, use code mega10 on checkout to get 10% off during the following week)
So often are timelapse videos stuffed full of vivid colors and bright tones that it almost catches us off guard when we come across a black and white timelapse that is every bit as breathtaking as their full color counterparts. Such is the case with this short video the team over at Fourth Dimension Video captured while spending 5 days in the quiet Scottish isle in June. The Isle of Skye features both, timelapse and some sweeping aerial drone shots.[Read More…]